Showing posts with label canon compact digital cameras. Show all posts
Showing posts with label canon compact digital cameras. Show all posts

Casio EX-FH100 10.1MP High Speed Digital Camera with 10x Ultra

Casio EX-FH100 10.1MP High Speed Digital Camera with 10x Ultra Wide Angle Zoom with CMOS Shift Image Stabilization and 3.0 inch LCD
Customer Ratings: 4.5 stars
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The Casio Exilim EX-FH100's four main draws over other cameras are it's low-light capability, its high speed burst photography, it's slow motion video, and it's loooong battery life.

The excellent low-light performance comes (mostly) from the back-illuminated CMOS sensor which allows for more light gathering than traditional sensors. The camera takes a better shot in low-light situations than similarly sized cameras (small sensor cameras) without the backlit sensor (Sony however has a similar sensor called EXMOR on some of its newest models).

The high speed features include both a high speed shutter that allows amazing action shots (30 shots at a rate of 40fps in burst mode), and high speed video filming for gorgeous slow-motion video (can slow 1 second down to 14 seconds at the max setting of 1,000fps).

The camera further leverages the above features for some neat tricks in difficult lighting situations, which are unusual abilities for this compact form-factor. The sensor and high speed shutter are used together for several preset modes that help in low light. "Lighting Mode" is suggested for situations where parts of the frame are bright and other parts are dim -it takes several high speed shots at various settings, then combines them for a more evenly lit image. There's a similar mode for night shots. The combination helps keep noise unnoticeable even at high ISOs.

The stereo mic is a nice plus over most other cameras (though also present on the only current competitor to this product, Sony's Cyber Shot DSC-HX5V). Other notable features are the wide angle lens, and the availability of a mode that combines mechanical image stabilization with the continuous shutter mode to reduce blur. There are also modes that use the continuous shutter to record both before and after the shutter is fully depressed, to allow you to choose a different moment if for example the person you are photographing closes their eyes or changes their expression.

Spec for spec, The Casio Exilim EX-FH100 and Sony's Cyber Shot DSC-HX5V are nearly identical. However, the Casio has a few advantages a larger aperture, longer battery life (520 shots vs. 310 shots), a faster continuous shutter mode (40fps vs. 10 fps), slow motion video, the option of RAW format (useful if you like to manipulate images with professional photo tools), and priority modes (aperture, shutter which are common but Sony omits them on the HX5V). On the other hand, the Sony allows use of the optical zoom while filming video (in movie mode the Casio only does digital zoom), has a panorama stitching mode, and has GPS capabilities with position & direction metadata.

While the basic functions are easy to use even switching from HD video to slow motion is just a toggle switch -I suggest reading the full manual on the accompanying CD. Certain things are not obvious, such as how to find the two particular video modes that allows switching on-the-fly from HD video to VGA slow-motion video (you don't use the Regular vs. HS video toggle switch for this because doing so stops the recording. For a seamless transition, you actually set the toggle switch to HS mode, and then choose a setting in the menu for on-the-fly transitions, which are then operated via the left & right keys).

Thankfully, Casio has eliminated the pointless video length limit they had put on the previous model, the FH10.

Note that while 30fps video can be up to 720p HD, and slow-motion video at 120fps is VGA quality, increasing the slow-motion beyond this (max is 1,000fps) results in decreasing the screen area displayed as a trade-off to maintain video quality at that data transfer rate. Worth mentioning here is that video can be output via the mini-HDMI out port. A composite A/V cable is included, but if you want mini-HDMI to regular HDMI, you'll have to buy your own cable.

For still shots in continuous shutter mode, it will take 30 shots (or fewer if you release the shutter button) at a rate that is selectable from a scale of 1fps over the duration of 30s, up to 40fps within 1s (yes, you are limited to 30 shots, but the rate goes up to 40fps).

I suggest you set the image quality to Fine and up the sharpness to +2 if you're going to be cropping or printing to large sizes. You'll also want to use a SDHC card that is rated "Class 6" or higher to ensure the memory can achieve the necessary sustained write rate to record HD video or high speed shots.

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Rokinon 650-1300mm f/8-16 Telephoto Zoom Lens with 2x

Rokinon 650-1300mm f/8-16 Telephoto Zoom Lens with 2x Teleconverter for Canon EOS 7D, 5D Mark II III, 60D, Rebel T3, T3i, T2i Digital SLR Cameras
Customer Ratings: 4.5 stars
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A good starter lens. Relatively easy to use. Requires a fair amount of time to learn how to use. At full zoom with the teleconverter attached it requires long arms to focus. Also, you may have to take into account the tripod you use. With my tripod, I have to account for the drop of the camera body. I still like the lens.

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Sony Cyber-shot DSC-WX50 16.2MP Digital Camera with 5x Optical

Sony Cyber-shot DSC-WX50 16.2MP Digital Camera with 5x Optical Zoom and 2.7-inch LCD in Black + Sony 16GB Class 10 Memory Card + 2 Sony Cases + Replacement Battery + Mini HDMI Cable + Accessory Kit
Customer Ratings: 5 stars
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Fits nice in pocket. Takes great pictures. Small controls but easy to get used to. Lots of easy to understand icons for setting up shots for those les techy types. Good battery life.

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Canon EOS 5D Mark II 21.1 Megapixel Full-Frame Sensor Digital

Canon EOS 5D Mark II 21.1 Megapixel Full-Frame Sensor Digital Camera
Customer Ratings: 5 stars
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Just received the kit this morning and while I'm waiting on the battery to charge, I thought I'd take the time and write this review. The kit was as promised...almost. While the kit says that there are "two extended life batteries included", I only received one. However, the shipping was so fast and everything else about the kit is wonderful so being shorted one battery won't taint my review. I've been waiting for a long time for this camera and I'm looking forward to getting my video shooting started! Cheers to the seller for the prompt service!

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Yamaha RX-V475 5.1-Channel Network AV Receiver with Airplay

Yamaha RX-V475 5.1-Channel Network AV Receiver with Airplay
Customer Ratings: 4.5 stars
List Price: $449.95
Sale Price: $349.99
Today's Bonus: 22% Off
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This is my first receiver purchase in 20 years. This receiver replaces an old Denon that had great sound but, of course, it didn't have Airplay to work with my vast iTunes library and a DAC to improve the sound coming from compressed digital audio. I am very picky about sound but wouldn't characterize myself an audiophile, since I don't have the budget to go there. Having said this, the Yamaha RX-473 seems to have a reputation as a one of the better sounding receivers for the price competing with Onkyo, Denon in the entry level audiophile components. I almost purchased Denon, but my gut feeling after reading hundreds of reviews is that the Yamaha was the way to go. Onkyo was never an option, due to its history of problems (although to be fair, they seem now living up to their high quality reputation recently).

Virtually every review of the RX-473 makes it out to be one of the best values on the market without sacrificing sound quality. What made me wait for the RX-475 is that it now includes a Burr Brown DAC made by Texas Instruments. The DAC functions on every appropriate sound source per Yamaha's literature. Another thing is that the RX-475 has bluetooth capability so that I my wife can use wireless headphones (once the soon to be released receiver is available), though I'm sticking to a better sounding traditional copper wire connection for my cans.

For those who don't know, a DAC is a Digital-to-Analog Converter. It turns 0s and 1s on a digital file such as that on a DVD, CD or Pandora, usually in the form of Pulse Code Modulation, into an analog electrical signal that our audio electronics can understand and amplify so that our speakers make sounds. As you might imagine, an ADC turns analog signals into digital signals, which is important for recording. Processors/receivers often have both ADCs and DACs in their circuitry in order to do many different audio related things. Burr Brown DAC 's are known as quality products but nowadays there are many good DACs. 2013 RX-X75 line features Burr Brown DACs as opposed the undisclosed DAC in the 2012 line. Most other receivers in the this price category don't list their DAC circuitry as something to brag about. All indications are that the Yamaha Burr Brown does the trick . I use an Audio Engine D1 DAC for my desktop listening and love the mellow 3D sound that it produces. So I'm picky about how my digital sources are treated. The sound on the RX-475 using Pandora, iTunes & Netradio sounds controlled smooth and non digital. So far so good.

Setup was ok. It could be easier since the manual focuses on non set top box setups. I use Tivo, but any cable box would be treated a setup that is certainly an option, just not as primary option detailed in the manual. btw make sure you load the Manual CD and immediately get the manual, which is in PDF format to your tablet so you can have it to refer to in FRONT of the receiver. Once I got The RX-475 networked I was stumped by it not able to use my network even though the status was CONNECT. After a bit if frustration I restarted the receiver. That did the trick. Installation of the IOS app was easy on my ipad and iphones. Airplay works great and I can now play Pandora from my Mac to my whole house including the RX-475, Airport Express and other computers with speakers using 3rd party applications like Reflector. I've used the RX-475 for 3 solid days and have to say that I no longer use the remote. I only now use my Tivo Remote. but for anything related to the RX-475, I use the iOS App exclusively. In fact, sometimes I just go back and forth between the Tivo and Yamaha apps on my iPad and have complete control of my entire entertainment experience . The only minor complaint I have is that there a slight audio click that I hear when I rewind or forward 30 seconds on Tivo. Whether its a Tivo or Yamaha problem I have no idea. Other than that, the RX-475 is great upgrade for anyone in the receiver market . Let's hope RX-475 bluetooth transmitter/receiver solution works as well once its released.

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Pentax Optio WG-1 14 MP Waterproof Digital Camera with GPS

Pentax Optio WG-1 14 MP Waterproof Digital Camera with GPS and 5xOptical Zoom - Gray
Customer Ratings: 4 stars
List Price: $429.95
Sale Price: $314.91
Today's Bonus: 27% Off
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When looking for an underwater camera, this was rated the best for rapid response which is critical for not missing the shot. Zoom is responsive. I didn't realize it has a programmable quick access button which I programed for video so it can switch between taking photos and video very quickly without navigating the menu system, a hidden feature that didn't come out in other reviews. It comes with a removable ring around the lens for macro shots, I actually keep it on to protect the lens and acts like a mini sun screen. This way the camera rests on the ring vs the lcd side.

The battery cover has some slight movement which I was originally concerned about for water, but so far it seems as the little movement doesn't affect the water protection. The worst and only major complaint is the battery life is dismal. I get about 1 1/2 hours of using both photo and video before the battery goes. I did purchase an extra battery, but knowing other point and shoot cameras have much better battery life, not sure why they skimped on such an important function.

It's obvious that the quality isn't as good as a dedicated point and shoot, but the ability to take photos in water is priceless. This camera I can even let my 3 year old use without fear of them breaking it. The features that it has is similar to todays point and shoot cameras including smile detection.

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Acer Aspire S5-391-6419 13.3-Inch Ultrabook (Black)

Acer Aspire S5-391-6419 13.3-Inch Ultrabook
Customer Ratings: 4 stars
List Price: $1,049.99
Sale Price: $659.99
Today's Bonus: 37% Off
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After a Month with the laptop I have to say, it impress me the way it boots, from turned off to ready to work it only takes 10 seconds, the SSD shines for this. This is a great laptop if you need a fast portable machine, the battery life is about 2 hours on a normal workload (Browser, Music, video and a Text editor). Just remember this laptop does not have a DVD/CD drive.

The only bad thing i could say about it, is windows 8, some of my work software (Music production/edition) and its interfaces were not windows 8 compatible, but the good thing is that this computer can be downgraded to windows 7, the drivers are available in Acer's site. I did the downgrade and it keeps the same performance as in windows 8.

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Sony HVL-F43AM Sony Alpha System HVL-F43AM Flash Unit for Alpha

Sony HVL-F43AM Sony Alpha System HVL-F43AM Flash Unit for Alpha DSLR
Customer Ratings: 5 stars
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First of all, this is my first external flash purchase, though I had been looking at the previous generation F42 flash and the flagship F58 for my Sony A55. I was holding out for this unit's release before I got a flash. The F58 is highly-regarded, though it is a chunky and heavy unitsomething I wasn't looking forward to for my relatively small camera. The F42 seemed like the right size, though it was missing the "Quick Shift Bounce" system that the F58, and now this new F43 flash has. That basically allows you to operate the camera in vertical mode while still having the flash bounce off the ceiling. I thought it was just a Sony gimmick, but it's something that really works well. From what I've read, Canon and Nikon have no similar flash feature. For as much as Sony cameras get wrongly bashed by fans of the other brands, the same people will envy this flash.

It also comes with a built-in wide angle screen (sort of diffuser), apparently for super wide lenses, and a bounce sheet. I have not had the chance to use a 3rd-party diffuser on this flash yet since I can't be sure what product works with it right now. For wireless shooting, it comes with a foldable mini-stand, which also serves as the tripod mount. It also came with a good quality protective case for the flash unit with the alpha logo (though I don't use it because I stow the flash in a Crumpler bag).

Because of all the new tech that the A55 camera has, I was expecting this flash to be some clunky and dated photography tool by comparison. Instead I'm amazed at how this flash operates and how it integrates with the camera. It manages to take crisp and properly-exposed photos at the right white balance with minimal tweaking.

Setting up wireless flash was surprisingly easy. After it's set up, the camera knows when the flash is mounted and when detached, it's automatically set to wireless mode. It will operate the external flash when the built-in pop-up flash is used (which serves as the wireless trigger through infrared signals)in a few conditions, there can be some pre-flash artifact from the camera's pop-up flash that shows in the final image, but a certain Gary Friedman says you can use an exposed film strip to block the visible light. Wireless flash use is lots of fun.

It supports high-speed sync (HSS) flash, which from what I've read allows you to use very wide apertures and fast shutter speeds to get a nice depth-of-field effect with flash! When shot this way and when bounced, it doesn't look like harsh flash lighting was used at all. The flash also has many more advanced features (ex. wireless ratio control, manual mode), but I'm not familiar enough with using them.

When it's on the hotshoe of the camera, it's very capable of firing fastmy A55 is usually set to continuous shooting at 6fps, and the flash doesn't seem to slow down the camera at all! I didn't even know it was capable of this even after playing with the unit for some time until a friend took pictures of me in burst mode and I saw the flash going off very fast like it had an electrical problem! I reviewed all the pictures taken and all of them were also properly exposed and sharp. From what I've experienced, it's not capable of this rapid shooting in wireless mode, probably because of the slower flash rate of the built-in camera flash. For those not familiar with external flashes, this one also has an infrared illuminator that allows fast autofocusing in pitch black when the flash is mounted. I even tried this with the not-for-low-light Sony 18-250mm zoom lens and got very good focus and a very good picture with the flash.

My only complaint really is that it still uses AA batteries. OK, this is completely my opinion as I'm sure professionals may want the option to get replacement batteries in the field, but Sony being the proprietary company that they are, they should have seized the chance for the good of humanity to use their InfoLithium battery packs in this thing (the F43 seemed to be made for their compact SLT line anyway!) to get it even smaller and lighter. I would have gladly bought more of those and be able to put it into my camera or the flash when they ran low. That would make for a very compact set-up! Alright I'm just being silly. I bought rechargeable NIMH AA's (Sony Cycle Energy) for these and like it very much (great, fast charger). I'm sure Eneloop batteries would work great too.

In short, if you have a Sony camera and don't need the extra flash output of the F58, and are looking for a flash, definitely get this.

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Panasonic TC-P60S60 60-Inch 1080p 600Hz Plasma HDTV

Panasonic TC-P60S60 60-Inch 1080p 600Hz Plasma HDTV
Customer Ratings: 4.5 stars
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Panasonic as far as I am concerned is the best producer of television sets in the world right now. Nothing compares to the picture clarity and quality of a Panasonic Plasma TV and this model is no different. I replaced a 42" Plasma from 5 or 6 years ago with this model and a week later I'm not even slightly regretting the choice.

Plasma technology has come a long way, you'll find that not only do you get the high refresh rate, deep blacks and crisp picture but you also get a longer lifetime now (~30 years of 8 hours a day viewing before the TV will begin to fade), much lower power consumption (CNET rates this model around $44 a year, Panasonic states $28, so figure it somewhere between $35-40 without using Eco-mode settings) and better picture control than in the past (multiple ratios, you can choose to cool/warm the picture in minute quantities and set different profiles for each input).

Still, if you're sitting here trying to decide between a Plasma and an LED, you need to really only consider a few scenarios.

If it is going to be in a family room that has bright lighting and won't be used for a lot of high action (sports) programming, you're probably better off going with a newer LED model for the screen reflectivity and to avoid the color saturation you get on Plasmas. If you want a Plasma and to avoid any serious glare problems, try stepping up a model to the ST60 or the VT60, each step up will dramatically improve screen glare (and add a crisper picture, which isn't terribly noticeable unless a side by side comparison is performed when in a scarcely lit room). Otherwise in a bedroom or somewhere you don't mind closing the blinds, this is a great buy. Update: Recently read about the P50S64 which has the anti-reflection coating on the S60 model here, try looking online to find your nearest dealer if this interests you.

Trying to decide between the ST60 and the S60? Even I had a difficult time with that. The final decision really only came down to the fact that there isn't a noticeable difference in picture quality in the setting I have my TV and I don't need the Smart TV/3D ability.

This model has Netflix, Amazon, Youtube, Hulu and a few other Apps. All of which are updated applications so the interfaces are more modern, which is nice. The Wi-Fi set up was very easy, so despite not being Wifi certified I wouldn't be concerned, it comes built-in and ready to go.

Another great feature some Techies might find useful is full DLNA support with no complications. All I had to do was connect the network, pull up my DLNA apps on my Surface or Lumia 920 and boom, streaming right to the TV in all of its glory.

Don't be fooled for other knockoff brands like Samsungs which just copy market innovators or LG/Sharp whom don't have the same technology built into their TVs like Panasonic does. The S60 is a great deal for the consumer, bringing affordable HD sets to the masses and backed by a brand that lasts, my TV still works from 6 years ago without ever needing a repair and I know of other people with Panasonics from 10+ years ago that never had problems.

Update: I've seen a lot of people trying to find a magic configuration for their picture quality, but it's unlikely one settings configurations will match someone else's. Your best bet is to setup the TV and begin tweaking the main settings for your common programming. For instance, I watch a ton of hockey and like for the ice to be vivid and cool, I leave on CATS to dynamically adjust brightness from day to night, the human eye is only so precise so I wouldn't recommend obsessing over tweaks you can't actually recognize. Some people claim to see enhanced reds, pro settings can drop that level when you're in Cinema or Custom.

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Canon PowerShot A490 10.0 MP Digital Camera with 3.3x Optical

Canon PowerShot A490 10.0 MP Digital Camera with 3.3x Optical Zoom and 2.5-Inch LCD
Customer Ratings: 4 stars
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I have to say this before anything else this is a $100 camera. You get what you pay for.

The good:

It's 10M Pixels

It's $100.

Takes nice pictures (in good light).

AA batteries.

Fits in my hand very well.

The "Auto" mode makes it easy.

The bad:

Cheap construction (to the point of damaging Canon's reputation of quality products in my opinion).

No image stabilization (but.... it is a $100 camera...)

**"Charging the flash"... This is an approx 5-10 second delay every time you want to take a picture. It may not sound like that much time, but it gets real annoying real quick.

Bottom line:

It takes pictures. It takes nice pictures. They get a little grainy and colors get a little off at low light. But in good light, it makes good picts. But the delay between pictures, mostly from the "Charging the flash" message, is just too much of an annoyance for me. Which is a shame, because this is a decent little camera otherwise. But, it's annoying enough that I wouldn't recommend purchasing this camera (unless your patiences exceeds mine).

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Panasonic LUMIX DMC-FZ70 16.1 MP Digital Camera with 60x Optical

Panasonic LUMIX DMC-FZ70 16.1 MP Digital Camera with 60x Optical Image Stabilized Zoom and 3-Inch LCD
Customer Ratings: 4.5 stars
List Price: $399.99
Sale Price: $289.00
Today's Bonus: 28% Off
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The is going to be a quick review on the camera and I will add more as time goes on. The FZ70 takes really good sharp photos, but hand held might be a problem in lower light levels. I went out yesterday evening and took some shots hand held and they all came out blurry. I should have paid more attention to the shutter speed.

The camera works fantastically in iA, which is the auto mode. I mainly use Aperture but was impressed with the auto settings.

It will go with a 60 second exposure in the Starry Sky Mode, which is under the SCN mode on the main dial.

The lens thread is 55mm so if you plan on using your filters from any other Pany camera, you will need a 55 to 52mm Step Down Adapter. Amazon has them for cheap. I don't think vignetting will be a problem using 52mm filters as the lens is way smaller than the filter threads on the camera. Here is the 55 to 52mm Step Down Adapter.

Goja 55-52mm Step-Down Adapter Ring (55mm Lens to 52mm Accessory) + Bonus Ultra Fine Microfiber Lens Cleaning Cloth

The camera has no shutter remote cord jack, so a shutter release cable will not work. My Yongnuo YN-560 flash will not work on the camera either. It physically hits the camera flash housing, which is raised a little. The answer to that is to use a wireless flash trigger with the Yongnuo Flash and that works fine.

Addition: I looked at the Yongnuo flash again and it will fit on the camera, but it is a tight fit between the camera flash and the Yongnuo flash housing. I modified the Yongnuo flash by taking some of the plastic off the flash housing where the camera flash is hitting, with a pencil grinder. It doesn't take much, and it is right in the middle of the housing. You could remove some of the plastic in the flash housing with sandpaper, but it would take longer, but will also give you more control of how much plastic you are taking off. Now my Yongnuo Flash works perfectly on the FZ70 camera!

The video does not have a progressive setting. Interpolated is the best you are going to get with this camera.

The FZ70 does not have a jack for a shutter release cable and does not have an infrared input either. The camera has to be set to a timer delay within the camera for 2 or 10 seconds. If it was a Sony or Canon, the timer is set and stays on till you shut it off. Unfortunately this camera requires you set the timer delay for each and every photo.

The longest the camera will go on exposure under the Shutter or Manual Mode is 8 seconds. In the Starry Sky Mode it will go 15, 30, and 60 seconds.

Like I said the lens thread is 55mm so your filters will have to be that size or use an adapter. The camera will use a teleconverter with the DMW-LA8 adapter, which is not available yet. Addition: Those LA8 adapters are available on Ebay now. They are being sold out of Japan though. I had that happen with the FZ200 camera as well and had no problem getting one from a Japanese Ebay member. There are several teleconverters that work well with this camera, but may not be needed as this lens rocks as far as zoom goes!

It will take Raw pictures, but no one is supporting the FZ70 Raw files yet. It will come. Added: I found that FastStone will support the Raw files from the FZ70 and it is much better than Silkypix, in my opinion. Just Google FastStone and download and install the software. It is free.

Start up time is very fast. I was able to take a picture in one second after turning the camera on.

The focus button is on the top of the camera now. The AF/MF/Macro button is on the right side of the LCD instead of on the camera lens.

One thing I have noticed with this camera is the noise, or should I say the lack of noise! The shots I took at ISO 800 and ISO 1600 still look pretty good, and at ISO 100 noise is hard to find.

The camera will zoom to 60X (1200mm 35mm Equivalent) in the 16mp picture size. Setting the picture size to 10mp will give you 75X zoom, setting the size to 7mp will give you 90X, at 5mp you get 108X and at 3mp is 135X. This is Extended Optical Zoom. If you need more zoom than that, under IResolution, use I-Zoom for an additional 2X at all picture sizes and digital will give another 2X, but image quality will suffer. I took some shots at the 10mp picture size with I-Zoom on, and the photos in my photo software are showing 3030mm zoom and they look amazingly good! I will post a link to some shots in the first comment on the review.

There are two FN buttons on the camera that can be set the way you want them to be. I set FN 1 button to Bracketing and FN 2 button to Flash Control. I may change them as time goes on, but I find it really great to be able to get Bracketing with the push of a button.

I don't care much for the lens cap, and ordered a better 55mm one on Amazon.

eForCity 55mm Camera Lens Cap, Black

Hoya makes good filters and I found this one (55mm) that will work fine on this camera. I use filters as it seems more often than not, I end up with my fingerprints on the lens filter. It also keeps dirt and grime from getting to the lens. It might offer some protection in an accident too.

Hoya 55mm HMC UV Digital Multi-Coated Slim Frame Glass Filter

The camera does not come with a lens hood and none is available in the Accessories on the Panasonic web site either. It seems there is no lens hood for this camera at this time.

This is it for now. I will add to this review as time goes by, so check back often.

Addition:

I had a chance to check out the high speed picture mode with the camera and found this: At 2 fps (frames per second) all works as advertised and it takes 2 fps for an extended period of time. 5 fps it takes 5 frames per second for 3 shots and goes back to the 2 fps rate. I tried it in Auto Focus mode and the regular mode with the same results. 9 fps Once again, 3 shots and then the 2 fps rate. H Mode the camera took a very fast rate of speed (at least 9 frames per second) for 9 shots, or 1 second. I have since found in the manual that at that speed the picture size is 2.5 or 3 mp. I forgot which. That is excellent. The last mode is the Flash and it will take 5 quick photos with flash before stopping. That could come in very handy at times.

I really like this camera. I like the menu system on the Panasonic Cameras too. I have the Canon SX50 as well, and still have problems with the menu settings and I have had that camera for 6 months. The menu system just doesn't make sense to me on that camera.

I did a shootout with the Canon SX50, the Pany FZ200, the FZ70, and a Sony Nex 6. The FZ70 images look about the same as the Canon SX50, and in my mind better than the Pany FZ200 camera. The last shot is a Raw shot from the FZ70 camera converted to JPG. The picture files can be seen in the Comments on page 12, the 7th post.

Added: After using this camera for a while now, I am even more impressed with it. It takes great pictures and I really like the Panasonic Menu, which is laid out well and easy to use. I am getting lots of keeper photos and the lack of noise in the shots is really appreciated!

Addition 10-29-13 I sent the first FZ70 back because the photos at high zoom were soft. To make a long story short, it turned out that the Hoya UV filter I was using on the camera was responsible for the soft photos. I have changed to a Sigma DG 55mm filter and the results are outstanding. Sharp clear photos at all zoom levels. This camera takes photos every bit as sharp and detailed as the Panasonic FZ150 or FZ200 camera and is as good as the Canon SX50 in sharpness as well.

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CamRanger Remote Nikon & Canon DSLR Camera Controller, Wireless

CamRanger Remote Nikon & Canon DSLR Camera Controller, Wireless Camera Control from iPad, iPhone, iPod Touch, Android, Mac or Windows Computer
Customer Ratings: 4.5 stars
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What is it?

The CamRanger app and hardware enable wireless remote control of supported cameras over a private wi-fi network. It can be used simply as a remote shutter release. However, it is actually much more powerful than that because it can be used to remotely control a wide range of camera settings and shooting behaviors, as detailed below. Currently, a number of Nikon and Canon DSLRs are supported. I have tested CamRanger on an iPhone 4S with a Nikon D90. Most of my observations probably apply to other Nikon models. There are some differences between Nikon and Canon implementations, as described in the CamRanger user guide. I refer to the hardware component as the CamRanger "pod".

Addendum: after publishing the first version of this review, I discovered that focusing was not working properly with my D90. After a couple of e-mails with Dave at CamRanger, he agreed that things were not as they should be. He fixed this issue promptly in an updated version of the CamRanger app. Needless to say, I'm very happy with the customer support. Also, focusing now works properly with my D90.

A small bit of terminology

CamRanger can be used in Live View or non-Live View (Dead View?) modes. In Live View mode, the image being recorded by the camera sensor is streamed in real time (with a delay on the order of hundredths of a second) to your iDevice screen (iPhone, iPad, iPod Touch). Touching the screen on your iDevice will cause the camera to focus on that part of the scene, provided of course that you are using an auto-focus lens and AF is enabled on the camera. With Nikon cameras (but apparently not Canon), you have a choice of two connection modes: PC or Camera. Camera mode means that you can interact directly with the camera controls, and can see all the usual information on the camera's top LCD (provided that Live View is NOT also enabled). In PC mode (and Live View mode), the camera is unresponsive to direct manipulation of camera controls, and the top LCD simply displays "PC". PC mode enables remote control of the camera shooting mode (P,S,A,M). In Camera mode, you must rotate the dial on the top of the camera to change shooting mode. (It should be noted that turning on Live View while in Camera connection mode effectively changes the connection mode to PC.) If you want to use touch focusing with a Nikon, you will probably need to be in PC mode (see discussion below).

Basic Camera Settings

Unless otherwise noted, the following applies to both PC and Camera connection modes.

Shooting mode (P,S,A,M,Scene): as noted above, this can be controlled remotely only in PC connection mode (on Nikon cameras). A tiny glitch is that in Program (P) mode it is not possible to remotely alter the shutter speed/aperture combination selected by the program. That is, one cannot remotely engage what Nikon calls Flexible Program. This seems a minor point: people who use CamRanger are unlikely to use Program mode in the first place.

Aperture: full remote control

Shutter speed: full remote control

Image format: remote selection of RAW, JPG, RAW+JPG, and JPG quality -but NOT JPG size. JPG size will be as last set on the camera.

Metering mode: full remote control in non-Live View mode

Drive mode (single-frame, continuous low speed, etc.): full remote control -plus the ability to set the number of frames in continuous shooting mode

White balance: full remote control

Auto-focus mode (AF-S, AF-C, etc.): full remote control

Exposure compensation: full remote control in 1/3 EV increments (up to ± 5 EV on a D90)

Exposure bracketing: full remote control three exposures (± 2 EV in 1/3 increments on a D90). Note: the exposure compensation and bracketing options available in the CamRanger app are the same as if the D90 were being operated manually. This suggests that the available CamRanger settings will depend on the camera being used.

Focus mode (AF, MF): remote switching between auto focus and manual focus available in PC connection mode only. This is perhaps the least intuitive control. If you are in Live View, touching the screen will make the camera focus on the part of the scene that you touch, regardless of the AF/MF CamRanger setting (provided the switches on the camera and lens are set for AF). However, if CamRanger is set to AF, the camera will re-focus before making an exposure, using the focusing area last selected on the camera. In other words, CamRanger must be set to MF in order for remote touch focusing to work properly. In effect, this is remote manual focusing (MF) by using a touch screen, and it overrides the AF camera/lens settings. You need to be in PC connection mode in order for the switches on the camera and lens to be set to AF while at the same time being able to be set CamRanger to MF. At least that is how it works on the D90. I don't know how this works on Canon bodies, and even other Nikon bodies may work a bit differently.

Live histogram: in Live View mode only

ISO: Full remote control, with the caveat that Auto ISO must not be enabled in the camera menus. Unfortunately ISO selection is NOT disabled on the CamRanger when the camera is in Auto ISO mode. This gives one the false impression that ISO is being controlled remotely. Auto ISO cannot be turned on and off remotely.

Focus Control

See the discussion above about MF/AF focus mode. Remote autofocusing is accomplished in Live View mode by touching the image on the iDevice screen to place a focus point. Furthermore, remote focus can be fine-tuned by pressing six upor down-pointing triangular touch-screen "buttons" in the CamRanger UI (rather than by touching the image). In non-Live View mode, the camera will focus automatically according to the settings made on the camera (single-point AF, etc.), with the obvious caveat that AF must be enabled on the camera/lens. It is not possible to remotely select the focus point in non-Live View mode.

An automated focus stacking feature is also included. It is possible to set the number of shots in a sequence. One is also given the option of small, medium or large focus increments between captures. But there is no indication of what small, medium and large actually mean. A sequence is started from the the closest focus point, which is chosen in Live View mode. However, there is no way of knowing, except by reviewing images, how far the focus stacking sequence progresses. In other words, getting reliable results will involve some trial-and-error tinkering. An alternative is to do focus stacking manually by touching successive focus points on the iDevice screen. Hopefully, this feature can be be improved in subsequent software versions.

Time-lapse Photography (Timer and Intervalometer)

CamRanger can be used to control a time-lapse sequence of exposures, or to make a single exposure at some point in the future. The user sets the number of exposures, the time interval ("shot delay") between exposures, and the delay before the first exposure. The number of exposures can be set between 1 and 10,000, and the interval between shots can range from 1 sec to 59 min 59 sec. Once a sequence is initiated, the communicating iDevice can be turned off and/or disconnected from the CamRanger wi-fi network. The CamRanger user guide states that the interval between exposures is not precisely controlled, particularly when it "is only a few seconds or less." It's not clear how long (in time) that a sequence can be, given that the limiting factor will be battery life of the CamRanger "pod".

HDR Sequences

CamRanger can control automated HDR exposure sequences. Steps between successive exposures can range from 1/3 to 3 EV (in 1/3 EV increments). The attribute being varied can be aperture, shutter speed, or ISO. The number of exposures in the sequence can also be set, within a range that is determined by available camera settings (e.g., maximum shutter speed), the step size between exposures, and the settings for the initial exposure. The initial exposure is the "darkest", as set within the CamRanger app. In my tests, the time between exposures was about 2 sec, which is rather long given that subject movement is generally undesirable in HDR images.

In some ways the CamRanger implementation of HDR is an improvement over the native implementation on the D90. In particular, a native "automated" HDR sequence on the D90 is limited to no more than three exposures with a maximum range of 4 EV between the lightest and darkest images. However, if the drive mode on the D90 is set to continuous (high), those three exposures will take less than 1 second.

I tried to see if I could work around CamRanger's slow HDR shooting. Using CamRanger, I remotely set the camera drive mode to continuous (high) for seven exposures. Then I used CamRanger to set up a 7-exposure HDR sequence. I ended up with 49 exposures, seven taken at each step in the HDR sequence! Hopefully HDR sequences can be sped up in the future.

Image Review

With Nikon cameras, you must shoot JPG or RAW+JPG in order to review images (other than thumbnails) on your iDevice screen. (With Canon, you can just shoot RAW). You cannot review images on the LCD of your camera as long as the USB connection is maintained between the camera and the CamRanger "pod". This is true even if the connection mode is set to Camera. Image review on your iDevice can include a three-color histogram as well as blinking highlight and shadow clipping warnings.

Small Irritations

1. Almost every time I want to establish a wi-fi connection between my iPhone and the CamRanger, I am prompted for the network password. The "fix" is to simply try again. It always seems to work on the second try -no password needed. (This is a known "bug".)

2. On an iPhone, the CamRanger app does not switch to landscape view when the phone is rotated. (I believe this is NOT the case on iPads.)

Conclusion

Overall, CamRanger is truly impressive from both software and hardware standpoints. The variety of camera settings and shooting behaviors that can be controlled remotely (wirelessly) is astounding, especially for a third-party implementation. Certainly, nothing made by Nikon comes even close. All features seem to work quite well, although focus stacking is a bit crude, and execution of HDR sequences is slow (as detailed above). So far, I have only used the CamRanger "pod" within a few feet of my iPhone, so I cannot speak to the communication range. Nor have I made explicit tests of battery life, or tied to shoot video sequences. I have not tried using the CamRanger app in bright sunlight, where visibility of the the iDevice screen might be an issue. Finally, I'm guessing that the Live View capability with touch focusing will be very impressive on an iPad, with its much larger screen (compared to the iPhone). Finally, I've had excellent customer support from CamRanger.

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PlayStation Vita 3G/Wi-Fi Bundle

PlayStation Vita 3G/Wi-Fi Bundle
Customer Ratings: 4.5 stars
List Price: $299.99
Sale Price: $211.45
Today's Bonus: 30% Off
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Other people have written great reviews on what comes in the box, etc, etc so I don't need to add to that; however the following info has been left out so far.

I just got this bundle at the house for my son and overall we are VERY happy with the bundle and the extras...EXCEPT for the "free Data Plan". This is a little misleading but it is not Amazon's fault, it is Playstation's (or maybe AT&T). The plan is more of a "buy one get one free" instead of being a free plan overall. You FIRST need to pay for one full month's service of an ATT plan and you will THEN get a "coupon code" to be used for another months service, yet there is still a small catch the free service is only for the cheapest and smallest data plan, the 250MB plan. You also must use the coupon within 90 days of first activating the service. So this means you have to use it within the 2nd or 3rd month of service.

Also the "free downloadable game" is only if you sign up for an AT&T plan and even then you have to wait 30days AFTER signing up before you even get the code to use in the first place.

Much of this can be lost in the description. Orginially I was going to get my son the WiFi only model but I thought that this would be better with the 3g model and all the free stuff, man what a disappointment. HOWEVER, I was thinking of giving the data plans a try ANYWAY so this still turned out to be a good bundle.

It is also important to note that there IS a AC adaptor INSIDE the box, no need to order an addional one (unless of course you think you need it). I found this a nice little surprise since most PS items want you to use an USB connection to charge it against your PS3 or PC. The adaptor is a little bit of a pain given that you use a "USB type" cable (it is properitary) to the VITA which has a USB connection on the other end. You connect THAT end to a little "box like" convertor which then plugs into another cable that you plug into the wall. So three different pieces to plug your VITA into the wall.

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Canon PowerShot SX500 IS 16.0 MP Digital Camera with 30x

Canon PowerShot SX500 IS 16.0 MP Digital Camera with 30x Wide-Angle Optical Image Stabilized Zoom and 3.0-Inch LCD Premiere Bundle With 16GB Secure Digital High Capacity Memory Card, Digpro Compact Camera Deluxe Carrying Case
Customer Ratings: 4.5 stars
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I purchased this camera because I thought it would be perfect for my website and blog use. So far, it has lived up to its expectations. It is not a hefty camera, but do not ber deceived by a lack of weight. I do a lot of interior available light shooting so I use the low light feature in the SCN mode. It produces excellent photos at varying high ISO settings which it selects automatically. I have used the other modes and am equally pleased with them. The image stabilization is excellent but you must remember to turn it off if you are using a tripod or you may get some strange results. The video mode was more than satisfactory in 720 HD. Is it as good as a digital SLR? No. But for the size, cost, and what it is capable of, it will be a camera that will get many uses in the years to come

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Ona Camps Bay Camera and Laptop Backpack, Handcrafted with Waxed

Ona Camps Bay Camera and Laptop Backpack, Handcrafted with Waxed Canves & Leather - Smoke
Customer Ratings: 4 stars
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I just received this bagtoday and got all of my gear packed into it without any issues. I was able to fit my D700 with L-bracket, 14-24mm & 24-70mm lenses, battery charger, black rapid strap, several extra memory cards, flash light, 15 inch MBP and charger, Bose QC-15 headphones, and a flip video HD camera without any issues. I still have room for 2-3 more lenses as well.

The bag allows for many different configurations due to the Velcro dividers and has sufficient padding to ensure your gears stays protected. The bag as sufficient padding for the shoulders and bag.

Quality of the bag seems to be fairly high but time will tell if the canvas and leather stand up to the test of time.

Overall I'm very happy with the bag, however I feel as though the price was a little steep for what it is and that's my reason for 4 out of 5 stars.

If you can afford it, definitely pick one up!

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Wansview Outdoor Waterproof Wifi Wireless/wired Ip Camera

Wansview Outdoor Waterproof Wifi Wireless/wired Ip Camera with Night Vision, Motion Detection Alarm, FTP and E-mail alarm,with base/bracket
Customer Ratings: 3 stars
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Update 7/26/12:

All of these cameras seem to have the same "flashing" problem. It isn't clear if it is the "IR Cut" filter or some other problem. They also might as well be black-and-white given how terrible the color is. If something happened and video from this camera needed to be submitted to authoritiesit would be next to impossible to actually identify anyone in it.

The "flashing" problem seems to occur at a particular light level (much too bright for the "IR Cut" filter if it is working normally), so at least twice a day (or more often in changing weather conditions) the cameras brightness rapidly changes between light and dark for 30 minutes or more. This triggers both the camera's internal "motion detector", as well as the motion detection algorithms in security DVR software like Blue Iris or iSpy. In other wordsyour mailbox, FTP server, or DVR will fill up with completely useless images, very quickly.

Technical support via email says a "Factory Reset" will fix the problem. Not only doesn't it fix the problembut you then have to set everything up again from scratch, which is a problem if you are using them via WiFi in a not-easily-accessible location.

Alsomounting these cameras outdoors means you pretty much have to cut and splice the 5v power cord, and use a lot of tape or an outdoor box to keep the connectors in. They come with a short cable and a set of connectors that you would have to drill a 1.5" hole in the wall to route inside. The power supply is only indoor rated, and is too big to put in an "In-Use" covered GFCI box. Of courseyou can't return them without the factory-provided power supply...

Update 6/12/12:

I dropped my rating to two stars.

While probably still a good value for the money, these cameras have at least one serious issue. I returned one, but the replacement has the same problem. A friend of mine bought two cameras at the same time I did, and has the same issue with hers as-well. The cameras flip randomly between their "IR CUT" filter and normal in certain lighting conditions. This causes random light/dark flashing at various times throughout the day. This flashing, besides being extremely annoying, also trips the "motion alarm", sending hundreds (or in the case of one of my camerasthousands) of bogus motion alarm pictures out. If you use their software to record videoyou will get many-many hours of nothing but flashing video filling up your HDD.

One solution I found online is to either color-over or tape-over the light sensor on the camera. Tried thatdoesn't work. I requested support on Wansview's Web site a week ago, and have heard nothing. There also aren't any firmware updates available for these cameras. I guess we can keep returning them for new ones, but since this is happening on 4 out of 4 (actually 5 if I count the one I've already returned) it's pretty clear it is a manufacturing defect. All four came from different vendors (via Amazon) Wansview should just give one the option to turn the stupid filter OFF! They do seem to work quite well at night, but during the daythey are almost useless for hours at a time.

Leaving my old review here for reference...

I recently bought two of this most-recent version of Wansview outdoor security camera: NC543W. The camera has a solid aluminum housing and appears to be well-sealed from the elements. I bought three similar cameras last year. They are cheap and the picture quality definitely isn't HD, but they are very usable.

The camera's I bought last year came with terrible "Chinelish" manuals that were almost impossible to read. They also didn't come with any kind of viewing/recording software, forcing me to use marginally-implemented browser-based viewers or 3rd-party software. I'm very happy to say that this has changed for these two most-recent purchases. More effort was clearly put into the user's manual, and the included "multi-view" software works very well. The really big bonus with the viewer software is the ability to record video, as opposed to just still images.

As another bonusthe cameras will work with uPnP routers (or you can manually set up tunneling) and Wansview provides a DDNS server, making it very easy to set the cameras up for remote viewing. The manual does a decent job of describing the setup for this, but non-geeks may need to get a bit of help configuring their router if necessary.

The camera has an "automatic" software color filter that is supposed to just kick in when in IR nigh-vision mode. I suspect this may be causing problems for some. I've found the color during the day to be very acceptable. In low-light there is a definite color shift, mostly noticeable at dusk and dawn.

I really only have two issues with these cameras, preventing a 5-star rating:

I can't get the Internet Explorer version of their Web viewer to work. I've tried it on three computers. The plugin install seems to "blow up" and I get nothing but a blank view. It's possible this is due to over-zealous security settings on my part, but I'm not going to lower my standards to install a plugin. I don't get any kind of an error message or pop-up. The other browser version works just fine on Chrome, Safari, and Firefox. It also works great on iPhone and iPad, although there are some great 3rd party camera viewers for them, as well as Android, that work fine with these cameras.

It is difficult to accomplish a good outdoor mount of them due to the length of the connector cable and the size of the network jack. If you want an inexpensive "clean" installyou pretty much have to drill a 1" hole to route the cables through to the inside. The power adapter and its cable are not outdoor rated, and it doesn't appear any of the other connectors will last long outdoors without some kind of protection. It's probably possible to cram everything into a water-tight exterior box, which is something I'm going to experiment with. I'd much rather drill a small hole for the power adapter cable (and network cable, if necessary) than a 1" one. Tacking things up under an eave seems to be the cheapest option, and I don't believe that will make it through winter. Power-over-Ethernet would make things easier, but would likely raise the price of the camera.

Like I saidit's a great camera for the price. If you want good color balance and a higher resolution with more featureslook at spending 3-10x as much. If you want a reliable (at least in my experience) security camera and don't have a lot of money to spendthis is a great deal.

One bit of adviceit is difficult to tweak the motion-sensor sensitivity, especially outdoors where things like trees and shrubs blowing in the wind can set it off. This isn't really the fault of the camerait's just the nature of such systems. These cameras can generate a LOT of email, so if you use that method of "alarm" notificationsget yourself another email account with a lot of space on one of the big providers. That way you won't flood your personal email account. If you use FTPyou will want to frequently audit the server's disk usage, or use an automated process to delete older uploads. If using the multi-view software to record videobe sure to enable the feature that automatically deletes older videos if you are running out of disk space. I recommend using a dedicated partition or external disk.

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Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras
Customer Ratings: 5 stars
List Price: $2,399.95
Sale Price: $2,396.95
Today's Bonus: $3.00 Off
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I am writing this review from the perspective of someone who also owns the earlier version of the Nikon 70-200mm f/2.8G VR Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras. This new lens will be referred to as "VR2" in this review while the earlier version of this lens will be referred to as the "VR1".

Here are my initial impressions after using this lens and comparing it with the earlier version of this lens, the VR1.

This professional-grade telephoto zoom lens is very well-made. Its focus is lightning fast and it produces very sharp photos with very good contrast and dynamic colors even when shot wide-open at f/2.8. The increased sharpness at the corner is easily noticeable even at f/2.8 and now makes this lens suitable for landscape shots. I find this increased sharpness at the corner beneficial even for portrait shots when I shoot off-center rule-of-thirds portrait shots. The improved color and contrast is easily noticeable in certain shots in back-to-back comparison against the VR1.

The VR mechanism is very effective and helpful in keeping the photos sharp even when shooting at low shutter speeds in low-light conditions. The 1-stop improvement over the earlier version, the VR1, makes a very big difference, specially when shooting this lens from extended to maximum focal length with no monopod or tripod support. Being able to shoot handheld at 1/10th at 200mm is no easy task but it is possible with this new version.

The tripod leg support is nothing less than excellent ... slim yet very sturdy, with provision for two-screws mounting support. The tripod support can easily be rotated for shooting in vertical portrait position or downside up for easy hand carry. The tripod leg can easily be detached if needed for a less-obtrusive hold when shooting handheld.

Though this lens is heavier than the VR1, the added weight is not immediately noticeable. The shorter length and larger diameter makes for a more balanced hold when shooting handheld.

How does this lens compare with the earlier version, the VR1? Here is a quick and easy to read summary:

First, a definition of terms. The term "FX" refers to full frame Nikon camera bodies (D3x, D3s, D3 and D700). The term "DX" refers to cropped/APS-C Nikon camera bodies (D300s, D300, D200, D100, D2, D1, D90, D80, D70, D60, D40, D5000, D3000).

THE ADVANTAGES OF THIS LENS OVER THE VR1

1. Sharp corners on FX and DX, even when shooting wide-open at f/2.8

2. Less vignetting on FX and DX when shooting wide-open at f/2.8 (vignetting on DX at f/2.8 now irrelevant)

3. 1-stop improvement in VR (1-stop improvement really makes a big difference when shooting at 135-200mm).

4. Improvement in the bokeh compared to the VR1

5. Improvement in color and contrast, specially when shooting backlit subjects against the sun

6. More resistant to lens flaring (due to nano-coating)

7. Shorter more compact length makes it easier to pack, carry and use in crowded spaces

(the lens and the hood of the VR2 are both shorter than the lens and hood of the VR1)

THE DISADVANTAGES OF THIS LENS OVER THE VR1

1. More expensive than VR1

2. Slightly heavier than VR1

3. Not as good as the VR1 when used with teleconverters in DX bodies for long reach

4. Shorter reach or magnification than the VR1 when shooting at close range

(e.g., shooting at 200mm focal length is equivalent to 164mm when shooting from 10 feet away)

For FX users who still do not have a 70-200mm f/2.8G zoom lens, go ahead and acquire this lens. The corner sharpness of this newer version is remarkable, specially when stepped down for landscape shots. Even for portrait shots, the increased sharpness at the corner is beneficial when shooting rule of thirds portrait shots.

For FX users who already have the VR1, you will need to gauge whether the advantages will be worth the cost of getting this lens. If you need to shoot at this lens maximum focal length of 200mm, the lower magnification or the shorter "effective focal length in terms of field of view" when shooting at near range may be a major concern for you. This is specially a concern for events or wedding photographers. Note however that some photographers have adapted to this and actually found it helpful that the magnification remain near constant which minimizes the need to zoom out as the photographer approaches a subject or when the subject gets closer to the photographer. For some photographers, the reduced magnification when shooting at closer range is thus something that one can adapt to and take advantage of. It would still be best however to try the lens first and see how this impacts on your shooting style.

For DX only users who already have a VR1, I currently see no advantages to upgrading to this new version unless you need the one-stop advantage of the VR2, and/or if you want even less vignetting (easily corrected in post-processing), and/or if you want a lens that is more resistant to flare ... and/or more importantly, planning to upgrade or to add an FX body.

For DX users who still do not own the VR1, I recommend that you seriously consider getting this lens. Not only do you get the benefits of the newer version as listed above, getting this lens means that you will be well-positioned when you upgrade or add an FX body. Once you acquire or add an FX body, it will not surprise me that you will be doing a lot more shooting with the FX than with the DX. Since this lens is optimized for the FX, then getting this lens over the VR1 may prove to be a good decision. With regard to the issue of a shorter effective reach when shooting at near ranges, this should not be an issue with DX due to the 1.5X field of view of the APS-C sensor. If anything, it may even be an advantage when shooting up close.

Ultimately, both versions of the Nikkor 70-200mm f/2.8G have their strengths and their weaknesses and it is up to the user to decide which version best fits his/her requirements.

As an FX and DX user, I have bought this new version knowing full well its strengths and its one limitation. The VR2 improved on what is already an impressive performance of the VR1, and then some. Except on the issue of lower magnification or focus breathing which hardly matters for me, the VR2 is an impressive step-up from the VR1.

I did retain my VR1 but this is primarily as a substitute to using a Nikkor 200-400mm f/4 VR. Matched with my 3 kinds of Nikkor teleconverters, the The VR1 is my lighter (and less expensive) version of the Nikkor 200-400mm and I use this with my DX D-300. The excellent center resolution of the VR1 is an asset when used in this manner. The other time when I use the VR1 on my D300 is when my VR2 is already on my D700. For all other usages however, I use the VR2 whether on FX or DX.

EDIT: For those who need to shoot up-close at 200mm focal length for maximum reach, this bit of info will be helpful.

Distance of subject / Effective focal length in field of view of the Nikon VR2 at 200mm

(Nikon 70-200mm VR2 at 200mm compared against a Nikon 200mm prime/fixed focal length lens)

1.27m ............... 128mm

1.40m ............... 132mm

2.00m ............... 147mm

3.00m ............... 164mm

5.00m ............... 176mm

10.0m ............... 186mm

Credits: Marianne Oelund

Edit: Sept. 13, 2010: I sold my Nikkor 70-200mm f/2.8 VR and retained only the Nikkor 70-200mm f/2.8 VR2.

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