Showing posts with label best price on canon digital cameras. Show all posts
Showing posts with label best price on canon digital cameras. Show all posts

Ricoh GXR Interchangeable Unit Digital Camera System with 3-Inch

Ricoh GXR Interchangeable Unit Digital Camera System with 3-Inch High-Resolution LCD and P10 28-300mm f/3.5-5.6 VC Lens with 10MP CMOS Sensor
Customer Ratings: 4 stars
List Price: $499.00
Sale Price: $479.95
Today's Bonus: 4% Off
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As an avid photographer and gear collector for 2 decades, I have never a fan of Ricoh cameras until I own my very first Ricoh camera the Ricoh GXR P10 kit three months ago.

Outside of Japan, Ricoh has long been an underrated camera manufacturer as its camera department had been concentrating its manufacturing resouces on P&S or point and shoot rangefinder film and digital cameras. Otherwise, Ricoh has been relatively well-known in the imaging and document reproduction industry for its photocopier machines like Canon, Minolta and Fuji Zerox.

Up to recently, July 2011, Ricoh bought Pentax to built interchangeable lens camera business which may see it grow in the future.

It is known to few photographers, that Ricoh does make a series of high quality and excellent prosumer grade amateur cameras the GX, GRD series, which according to their marketing department is targeted at "serious female photographers and middle age male amateur photographers, which I fitted into the latter category.

To begin with this prosumer-grade camera, the GXR is quality built and a system camera, by design it is both quirky and bold at the same time. Its innovative design had surprised many a seasoned photographer and the gadget crazed hobbyist like myself.

The GXR is essentially, the camera body itself and works with the interchangeable lens and sensor modules which comes as an option. The P10 or 28-200mm zoom lens module comes as a kit option with my GXR purchase and I heartedly recommend this GXR P10 kit to first time owner of Ricoh cameras.

It is compact, extremely portable and delivers excellent image quality with superb (though not superior) optics in the P10 interchangeable lense-sensor module. According to Ricoh by building the lens and the sensor together optimizes the lens design and sensor capability in a single package and beats obsolescence (until Ricoh releases the next module, of course)

The GXR is a camera designed by photographers for photographers, a lot thoughts has been put into its design and it is really a class of its own.It is a camera to be owned experienced by its owner.

A picture speaks louder than words and therefore I posted some of my best shots taken with the GXR P10 kit in this Amazon.com page to share, it is most objective looking at the photos produced with the GXR to decide how good this camera is and to take it out on a trip to experience the joy of using it.

The Ricoh GXR is a feature rich camera which could easily beat the best Nikon P&S, the Nikon P7100 on superior built quality and lower price point. In addition, the GXR is a system camera with interchangeable lens, useful accessories and upgradable expandability.

People who really like the Ricoh GXR and made wonderful pictures with it will know it is their camera once they first feel the camera and test it at the nearest friendly camera retailer shop, period.

Potential owners should visit the Ricoh GXR site for detailed technical and system information. The best feature to highlight is the 1cm MACRO capability which allows for stunning close up shots of everyday objects.

Thank you for reading my humble user review, and my pictures made with my SXR P10 kit, I hope this review is useful to you.

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Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera with EF-S

Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera with EF-S 18-135mm f/3.5-5.6 IS Standard Zoom Lens + 16GB Deluxe Accessory Kit
Customer Ratings: 5 stars
List Price: $989.99
Sale Price: $769.95
Today's Bonus: 22% Off
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Awesome cam! dope lense with great zoom

Cheap little tripod and small bag but everything else was well worth the purchase.

Fast and responsible shipping

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Clik Elite CE718TR Jet Pack 15, Trillium

Clik Elite CE718TR Jet Pack 15, Trillium
Customer Ratings: 5 stars
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We have a Canon E3 and needed a portable bag, that was comfortable, and also had room for other key life amenities during our recent travels throughout Southeast Asia. This bag was snug against the body when worn as a backpack and had great contour when worn as a side slinger. All zippers, pouches and compartments were perfectly placed and held up under fairly rigorous conditions.

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Canon EF-S 15-85mm f/3.5-5.6 IS USM Zoom Lens with 3 UV/FLD/CPL

Canon EF-S 15-85mm f/3.5-5.6 IS USM Zoom Lens with 3 UV/FLD/CPL Filters + Hood + Pouch + Accessory Kit for EOS 60D, 7D, Rebel T3, T3i, T4i Digital SLR Cameras
Customer Ratings: 4 stars
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Please don't take the Amazon star rating too serious every lens has its pros and cons that I wouldn't want to squeeze into a single one-dimensional figure...

A quick note about me: I have been into SLR cameras and lenses for more than 20 years as a hobby in the beginning and professionally later. Maybe because of my technical background I started testing my own lenses quite a while ago. I have a (no longer so) little test lab of my own where I do 6 different image quality tests (after taking a lens out for a while).

The EF-S 15-85mm f/3.5-5.6 IS USM is one of quite a few Canon standard zoom lenses for APS-C cameras. "Standard" of course refers to the focal range of this lens rather than its build and image quality which is certainly above standard. Made from high-end plastics and featuring a metal lens mount the EF-S 15-85mm f/3.5-5.6 IS USM does have a very solid feel. The ultra sound focus motor is very fast and acurate and even more impressive is the modern image stabilizer that compensates 4 exposure values.

While the resolution of the EF-S 15-85mm f/3.5-5.6 IS USM is really good and rivals some L series lenses other image quality factors are not as good. Distortion is a serious issue at the wide end of the focal range but well under control for longer focal lengths. Color errors ("chromatic abberrations") are quite intense but only in focused areas of the image ("transverse CA"). Out-of-focus areas fortunately do not have color fringes ("axial CA") and the bokeh is very even as well. There is also some curvature of the focal plane ("field curvature") and a still healthy amount of corner shadow ("vignetting").

Overall the EF-S 15-85mm f/3.5-5.6 IS USM is certainly one of Canon's high-end offerings and has its price tag for a good reason. Some might prefer the EF-S 17-55mm f/2.8 IS USM over this lens for its better maximum aperture and image quality. But of course that lens is bigger, heavier and has a much narrower focal range which limits one thing that's very important for a general purpose standard zoom lens: versatility. I have taken the EF-S 15-85mm f/3.5-5.6 IS USM on many trips with no regret...

A much more detailed review of this lens together with all test shots, sample images and technical data is available on my website LensTests_com.

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Canon EOS Rebel T4i 18.0 MP CMOS Digital SLR Camera with 3 Lens

Canon EOS Rebel T4i 18.0 MP CMOS Digital SLR Camera with 3 Lens Kit including Canon EF-S 18-200mm f/3.5-5.6 IS Image Stabilizer Zoom Lens + 16 GB & Deluxe Accessory Bundle
Customer Ratings: 4.5 stars
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Equipamento entregue dentro do prazo estipulado. Lentes precisas sem necessidade de adaptadores. Muito bom tanta a qualidade quanto o serviço prestado.

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RCA CC4352 Full-Size VHS Camcorder

RCA CC4352 Full-Size VHS Camcorder
Customer Ratings: 4 stars
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This is the 2nd full size I have bought for the office. We use for courtroom recording. You can attach to VCR and get 8hr recording. Attorneys can get instant review of proceedings for price of tape. Also is small enough to travel with. Excellent product for price.

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Sony HVL-F43AM Sony Alpha System HVL-F43AM Flash Unit for Alpha

Sony HVL-F43AM Sony Alpha System HVL-F43AM Flash Unit for Alpha DSLR
Customer Ratings: 5 stars
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First of all, this is my first external flash purchase, though I had been looking at the previous generation F42 flash and the flagship F58 for my Sony A55. I was holding out for this unit's release before I got a flash. The F58 is highly-regarded, though it is a chunky and heavy unitsomething I wasn't looking forward to for my relatively small camera. The F42 seemed like the right size, though it was missing the "Quick Shift Bounce" system that the F58, and now this new F43 flash has. That basically allows you to operate the camera in vertical mode while still having the flash bounce off the ceiling. I thought it was just a Sony gimmick, but it's something that really works well. From what I've read, Canon and Nikon have no similar flash feature. For as much as Sony cameras get wrongly bashed by fans of the other brands, the same people will envy this flash.

It also comes with a built-in wide angle screen (sort of diffuser), apparently for super wide lenses, and a bounce sheet. I have not had the chance to use a 3rd-party diffuser on this flash yet since I can't be sure what product works with it right now. For wireless shooting, it comes with a foldable mini-stand, which also serves as the tripod mount. It also came with a good quality protective case for the flash unit with the alpha logo (though I don't use it because I stow the flash in a Crumpler bag).

Because of all the new tech that the A55 camera has, I was expecting this flash to be some clunky and dated photography tool by comparison. Instead I'm amazed at how this flash operates and how it integrates with the camera. It manages to take crisp and properly-exposed photos at the right white balance with minimal tweaking.

Setting up wireless flash was surprisingly easy. After it's set up, the camera knows when the flash is mounted and when detached, it's automatically set to wireless mode. It will operate the external flash when the built-in pop-up flash is used (which serves as the wireless trigger through infrared signals)in a few conditions, there can be some pre-flash artifact from the camera's pop-up flash that shows in the final image, but a certain Gary Friedman says you can use an exposed film strip to block the visible light. Wireless flash use is lots of fun.

It supports high-speed sync (HSS) flash, which from what I've read allows you to use very wide apertures and fast shutter speeds to get a nice depth-of-field effect with flash! When shot this way and when bounced, it doesn't look like harsh flash lighting was used at all. The flash also has many more advanced features (ex. wireless ratio control, manual mode), but I'm not familiar enough with using them.

When it's on the hotshoe of the camera, it's very capable of firing fastmy A55 is usually set to continuous shooting at 6fps, and the flash doesn't seem to slow down the camera at all! I didn't even know it was capable of this even after playing with the unit for some time until a friend took pictures of me in burst mode and I saw the flash going off very fast like it had an electrical problem! I reviewed all the pictures taken and all of them were also properly exposed and sharp. From what I've experienced, it's not capable of this rapid shooting in wireless mode, probably because of the slower flash rate of the built-in camera flash. For those not familiar with external flashes, this one also has an infrared illuminator that allows fast autofocusing in pitch black when the flash is mounted. I even tried this with the not-for-low-light Sony 18-250mm zoom lens and got very good focus and a very good picture with the flash.

My only complaint really is that it still uses AA batteries. OK, this is completely my opinion as I'm sure professionals may want the option to get replacement batteries in the field, but Sony being the proprietary company that they are, they should have seized the chance for the good of humanity to use their InfoLithium battery packs in this thing (the F43 seemed to be made for their compact SLT line anyway!) to get it even smaller and lighter. I would have gladly bought more of those and be able to put it into my camera or the flash when they ran low. That would make for a very compact set-up! Alright I'm just being silly. I bought rechargeable NIMH AA's (Sony Cycle Energy) for these and like it very much (great, fast charger). I'm sure Eneloop batteries would work great too.

In short, if you have a Sony camera and don't need the extra flash output of the F58, and are looking for a flash, definitely get this.

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Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for Nikon

Sigma 105mm f/2.8 EX DG Medium Telephoto Macro Lens for Nikon SLR Cameras
Customer Ratings: 4.5 stars
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Originally I didn't want to stray from Nikon products, but Sigma definitely has my attention. This is an excellent lens in both build quality and function. It works flawlessly on my Nikon D40, metering perfectly and in addition, even though it's manual focus on my camera, it is spot on with the auto-focus indicator light (lower left corner of view finder). I highly recommend this lens to anyone who is looking to get into macro! Don't be scared if you're a Nikon D40 user, I was at first, and now I'm hooked on this lens! Do yourself a favor and buy one!

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Sony A65 24.3 MP Translucent Mirror Digital SLR Body + 16GB SDHC

Sony A65 24.3 MP Translucent Mirror Digital SLR Body + 16GB SDHC Memory + Extended Life Battery + SDHC Card Reader + Deluxe Case w/Strap + Memory Card Wallet + Mini Tripod + Accessory Saver Bundle!
Customer Ratings: 4 stars
List Price: $1,599.95
Sale Price: $647.19
Today's Bonus: 60% Off
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I love this camera! BUT during my recent trip to San Francisco, the electronic shutter malfunctioned by allowing only one shot; I had to turn off the camera and then turn it back on in order to shoot ONE more photo. I finished the day by using the backup camera I always carry. That night in the hotel room I used the camera menu to reset everything to the factory default settings -problem appears to be corrected. Now I have to regain confidence in the camera; wish I could give it five stars. When it works correctly, this camera is the best one I've ever owned.

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Sony HDR-CX200 High Definition Handycam 5.3 MP Camcorder

Sony HDR-CX200 High Definition Handycam 5.3 MP Camcorder with 25x Optical Zoom
Customer Ratings: 4.5 stars
List Price: $319.99
Sale Price: $245.99
Today's Bonus: 23% Off
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I've had this model for about 6 months now, so I've used it enough to give an informed opinion by this point. I bought this only to capture memories of our kids growing up. I did not buy this for extensive or special editing, special effects, etc. I just wanted something that is good quality, is 1080 HD, etc. where I can watch our kids growing up and capturing memories. I am pleased with this camcorder, and offer a few comments for those considering this model:

1) I have no complaints about picture quality it works well for what I need, under indoor and outdoor conditions.

2) Very easy to use open the screen and it comes on and boots up quickly.

3) It's very light compared to my older Sony Handycam (which used tapes). Sometimes I think too light and somewhat cheap feeling, but everything has gotten so small now, I guess that is the way of things particularly in this price range.

4) I selected this model because I did NOT want internal flash memory like the next model up (the 210). If the internal memory were to go bad in time, I would rather it be a card that I can throw away rather than having something go bad inside the camera. I can always get a new card. The next model down (the 190) does not have the touchscreen input, nor the spot-focus, nor the HDMI cable to connect to your HDTV.

5) VERY IMPORTANT Sony (and some other manufacturs too I think) have what is called "Direct Copy". What this means is that I can connect my portable 1 TB hard drive straight to the camcorder, and not need a computer. I can then access all the videos on the hard drive in full HD and connect the camcorder straight to our HDTV with the HDMI cable. So over time, you can use the portable hard drive to store the videos, and use the camcorder to access them and play them on the HDTV using the camcorder software. I cannot stress how important this is, at least to me, because this solves the storage issue and eliminates the need for a computer or laptop in-between, and not having to use special software, etc.

Not all hard drives will work. I use a 1 TB Western Digital My Passport, USB 3.0 Western Digital My Passport 1 TB USB 3.0 Portable Hard Drive WDBBEP0010BSL-NESN (Silver). Also, you must use the Sony cable VMCUAM1 Sony VMCUAM1 USB Adapter Cable to connect the USB cable to the hard drive. If you don't use the Sony cable it won't work, even though the ends may fit properly.

I have a 32GB card, which good for about 6 months give or take. What I do is transfer the videos to the hard drive, and then back up the hard drive using our network storage.

Anyway, I don't mean to get too wordy about this but this really is a big deal and I think it should be noted. Not having to have a computer is a big deal, IMO. As long as you don't max-out your memory card it doesn't matter, but once you have too may videos for the card to store, that is when this matters the most.

Note that two other reviews here talk about the built-in projector. The CX200 does NOT have this feature.

I would certainly recommend this, and I would purchase this again.

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Rokinon Cine CV35-S 35mm T1.5 Aspherical Wide Angle Cine Lens

Rokinon Cine CV35-S 35mm T1.5 Aspherical Wide Angle Cine Lens with De-Clicked Aperture for Sony Alpha DSLR 35-35mm, Fixed-Non-Zoom Lens
Customer Ratings: 5 stars
List Price: $649.00
Sale Price: $514.34
Today's Bonus: 21% Off
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I recently bought the Rokinon 85mm Cine lens to use on a Sony a99 camera, mostly for video. I found that I liked that particular lens so much that I started using it for still photography as well. In fact, I like the sharp look of those files so much that I started to look for more Rokinon lenses to put on my camera. I'd been researching this 35mm 1.5 Cine lens of Sony Alpha cameras for a couple of weeks when I noticed one of those mysterious Amazon price drops. It seemed like too much of a bargain to pass up so I went ahead a bought one. I'm very happy I did.

Stuff to get out of the way right up front: This (the 35mm Rokinon Cine lens) is absolutely a manual focus lens. There is no electronic interface between the lens and the camera. It does not focus for you. If you can't tolerate focusing the lens yourself then this is very much not a lens for you. No autofocus. But not having autofocus is part of the design and part of the appeal for me. It means that there's so much less stuff to go wrong with on this product. And most people who are seriously into making films and commercials on video use manual focus lenses because it gives them maximum control over the look of their images. If you are lucky enough to shoot with the new Sony SLT cameras you'll find manual focusing is made simple with the cameras' built in focus peaking. If you are shooting with more prehistoric Nikon and Canon bodies you'll probably want to use the lens on a tripod so you can depend on Live View and magnification to get sharp focus.

Stuff to get out of the way, part 2: Since there are no electronic linkages between camera and lens there is no automation beyond what the cameras naturally give you with aperture priority control. Again, fine by me since I'm using an EVF and real time Live View I can always "pre-chimp" and see exactly what I'm getting while I'm shooting. That means I can compensate and change settings in a heartbeat if the scene in my finder looks too light or too dark. Finally, since the camera has no idea what lens is on front or what the heck the lens is doing there's no way it can give you complete exif data. You'll just have to get over that. The lens is also enormous. Not too heavy but large in size.

So, the lens seems primitive by modern standards. What does it have going for it? Well, my quick tests show me that the lens is sharp wide open in the center and just keeps getting sharper as I stop down. By f5.6 it's as sharp as any lens I've played with in the last 20 years. According to photozone.de it's a sharper lens than the $1400+ Canon 35mm 1.4L and the $1800+ Nikon 35mm 1.4 lenses. And that's both wide open and stopped down. Pretty amazing for a lens that's so inexpensive.

My work is generally slow and thoughtful. I work to a client's comprehensive layout or I shoot foot or I shoot portraits. I'm not a sports shooter. In the realm within which I work there's no bonus for super speedy handling. For me the lens works very, very well. I want a handful of things from a lens: I want high sharpness, I want good resolution, I want good contrast, I want good bokeh and I want the lens to be well built and able to take professional use for years to come.

The Rok 35mm 1.5 delivers all that.

Bonus: If you shoot video you'll find it's nice to have clickless apertures and a geared focusing ring. The clickless apertures mean you can make very subtle exposure or focus changes while filming instead of having to endure half stop jumps in exposure while the camera is running. The geared focusing ring means the lens can be used with follow focus units already on the market with no sweat. If you don't shoot video and have churlishly decided that you never will you should consider the non-Cine, f1.4 version of this lens. The optics are the same (great) but the aperture is click stopped and the focus ring is just a conventional focus ring. The bonus is that you'll save between $75 and $100 dollars.

I feel like the 35mm and 85mm Rokinons (Cine f1.5) are the two lenses I could take anywhere and do compelling work with. I rarely go wider but I do go longer. If I were starting my career from scratch I would certainly consider the 35m, the 85 and an a99 body as the core of my systems. Add some lights and a tripod and I can make stills and great short films.

When you compare this to the major brand offerings from Sony, Canon and Nikon it's clear that, if you are willing to learn manual technique, you'll end up with as good or better image quality at a fraction of the price. I'd buy it again. In fact, I like it so much I might buy a second one as a back-up.

One more thought: This would make a wickedly sharp 50mm equivalent on a cropped frame (APS-C) camera body.

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HP Pavilion Sleekbook 15-b123nr 15" Laptop with AMD A6-4455M

HP Pavilion Sleekbook 15-b123nr 15' Laptop with AMD A6-4455M 2.1GHz, 4GB, 500GB, AMD Radeon HD 7500G, Wireless, Bluetooth, HDMI, Windows 8
Customer Ratings: 4 stars
List Price: $599.99
Sale Price: $389.99
Today's Bonus: 35% Off
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I bought this as my budget machine. It wasn't meant to compare with my custom desktop that I dumped a ton of money in just to be a way to surf the web and work with clients at their office. It meets my needs. WiFi doesn't always work when it wakes from sleep you have to put it in airplane mode then take it out. It hiccups and hangs up now and then, but it's an AMD so it does the best it can. Overall, a good bargain laptop that I won't cry about if it's lost or broken.

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EzFoto DSLR Follow focus FF for 15mm rod, supports all DSLRS

EzFoto DSLR Follow focus FF for 15mm rod, supports all DSLRS, with Quick Release Clamp
Customer Ratings: 4.5 stars
List Price: $299.99
Sale Price: $173.99
Today's Bonus: 42% Off
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Now... this is the way to design and build a follow focus! Especially for those without Hollywood budgets.

They did their homework on this one, keeping both the independent filmmaker and the larger crew in mind with features to make life easier.

I am an instrument designer and machinist by trade and I will give this an A+ for workmanship and functionality.

The build quality and form/fit/function/finish are excellent, rivaling units costing an order of magnitude higher.

$ave the extra bucks for new glass instead!

My favorite feature is the two-point hard stops for focus. I tested them with my Sigma 30mm f/1.4 lens, focusing on two different subjects, one about a foot away and the other at 30 ft. With the aperture wide open and viewing at 10X live-view zoom on an external monitor, I found they provide imperceptible error in focus repeatability with every rack focus attempt. I checked it at least a dozen times and there was no shift. You can't be heavy handed with this, though you have to be gentle as with any precision instrument. Speed cranks can be a problem for some.

Even if you prefer not to use the hard stops, they are great for setting rotational limits for your lens if you are using the typical still type AF lenses (not the cine primes) that will normally cause the focus range to slip when you exceed the end-point friction limits. Setting these limits in advance will keep your witness marks in sync with the lens focus. Of course, setting your two focus points as above will also accomplish the same thing.

(Always switch the lens to manual focus if you are going to be rotating the focus ring at all).

Also, I would suggest using china marking pencils rather than whiteboard markers for your marks. They are much more durable and wipe off easily enough when you want to make a change. Whiteboard marks are no good and will disappear with the slightest brush of a finger or clothing.

My second most favorite feature is the ability to rotate and lock the witness index (pointer) to any position around the circumference of the marking ring. This is really handy if you're working without a focus puller and need to see the marks from another vantage point, such as directly behind the camera.

I also found nearly no backlash in the gearing (all gear systems have some, otherwise they would bind and wear), also with very smooth and free motion. Better in all respects than my $500 FF.

Also, the drive gear is easily movable without tools from one side of the gearbox to the other, allowing right or left hand use, or for short lenses. The drive gear has a wider face than usual, allowing for some unintentional misalignment of the lens gear forward or back on the focus ring. Nice touch.

I also like the clamping system where you don't have to slide it onto the rods from one end. You can just clip it onto the rods at any position and tighten. Great for when you have another accessory already on the rails that would be in the way. The locking knob for the horizontal sliding motion (to adjust gear mesh) is on the bottom, where it is easy to reach.

Cons:

The only one I can think of Supplied lens gear is too soft to provide accurate focus. It feels spongy in use. I think they were trying to give smoother motion and compensate for less than perfect gear mesh when setting up. Not an ideal situation.

I am using the standard harder plastic ones from another FF unit. They are 0.8 mod, standard cine pitch. These work much better, and if you are careful with setup (as you should be anyway), there is no problem with smoothness and backlash. You can get these at very reasonable cost from many makers.

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Boston Acoustics SoundWareXS5.1B 5.1 Surrond Speaker System

Boston Acoustics SoundWareXS5.1B 5.1 Surrond Speaker System
Customer Ratings: 4.5 stars
List Price: $499.99
Sale Price: $499.00
Today's Bonus: $0.99 Off
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I purchased this Boston Acoustics 5.1 system to go in my new projector room. I was looking for a smaller speaker package to get the most out of my projection wall without speakers sticking out. The speaker system comes with really nice speaker mounts that were really easy to install and the system doesn't stick out at all in the room but still manages to deliver excellent sound for movies and sporting events. I did purchase another boston center channel speaker to get 6.1 sound out of my system which I would recommend to others wanting the extra back speaker.

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EOS Rebel T4i SLR Digital Camera Kit with Canon 18-55mm IS Lens

EOS Rebel T4i SLR Digital Camera Kit with Canon 18-55mm IS Lens + Canon 55-250mm IS Lens + Huge Accessory Package Including Wide Angle Macro Lens + 2x Telephoto Lens + 3 Pc Filter KIT + 16gb Sdhc Memory Card & Much More!!
Customer Ratings: 4 stars
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shipping was great! everything was sealed and boxed unopened thats also great! i love the camera as well as the canon itmes which was only the lens that came with the camera and the 55-250mm lens. but the rest of the itmes are different brands which was not stated. not to sure how good of quility they are but they look pretty legit. thats my reason for love-like i love some itmes but yet like the other times. but other than that its a great deal even if its all not "canon" brand think positive. aloha and mahalo!

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Sony Alpha E-Mount 16-50mm f/3.5-5.6 OSS PZ Lens Kit. Includes:

Sony Alpha E-Mount 16-50mm f/3.5-5.6 OSS PZ Lens Kit. Includes: 3 Piece Filter Kit, 32GB Memory Card, Extended Life Replacement Battery, Carrying Case & More for Sony NEX-F3, NEX-3N, NEX-5N, NEX-5R, NEX-6, NEX-7 Digital Camera
Customer Ratings: 4 stars
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I received the bundle in time. The lens, was brand new, everything else was good quality, except for the bag, which was made of a different cheaper material.

Overall a good deal for the money, since the whole kit costs less than the retail for the lens

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Canon EOS REBEL T4i 18.0 MP CMOS Digital Camera with 3-inch

Canon EOS REBEL T4i 18.0 MP CMOS Digital Camera with 3-inch Touchscreen and Full HD Movie Mode
Customer Ratings: 5 stars
List Price: $799.00
Sale Price: $629.00
Today's Bonus: 21% Off
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I had this long awesome review and Amazon lost it of course. So here goes a second try.

This is my second Canon camera. Previously I have owned Olympus and Minolta cameras. I owned a t2i before this and used a t3i for weeks for testing purposes. I will try to cover most aspects of the new features and image quality. For testing purposes I used a Canon 17-40L lens.

Look and Feel:

Not much to say here for the look of the camera. Looks almost the exact same as the t2i, t3i. The battery grip and accessories all fit the same. One thing that is different from the t2i is the proximity sensor. On the t2i it was below the optical viewfinder and above the screen. On the t4i it is above the optical viewfinder. I use an eyecup(http://www.amazon.com/gp/product/B003Y06336)and it used to make the screen shut off on its own regularly on the t2i. This is a non issue for the t4i. There is also an added dedicated movie button in the power switch now.

Feel is a little different. The t4i feels more sturdy than the previous two rebels. The buttons are more solid and the selector wheels are improved. The adjustment wheel has better clicks and don't feel like you could easily flick it and change a setting by accident. The mode selector wheel is sturdier as well. I notice this because my t2i used to regularly switch to A-DEP mode when I would pull the camera out of my bag and I would get upset if I missed a quick shot because of it. I feel this will be a non issue with the new model. One issue I have is using my eyecup mentioned previously. The flippy screen catches on this and is just a slight annoyance but not a huge deal in the grand scheme. The rebel series always felt a bit small in the hand for me so I now use a battery grip which adds weight and substance to the camera.

Touchscreen:

When I saw rumors that the t4i would have a touchscreen I first said I wouldn't buy it. I figured this would be a gimmick and offer limited functionality. Then when i saw the press release and videos from Canon I changed my mind. I was sceptic of a couple things I will address here. I will start with the touch to adjust. Right now I feel kind of wonky using the touchscreen to make most adjustments to shooting in manual mode which is all i shoot in. But I consider this like moving from a blackberry to an iPhone. You are used to using buttons and the keyboard for so long you are lost on the touchscreen at first, but with time it ends up faster and easier. So in time it will end up faster for me to adjust by touch I am sure. It is in two spots already. ISO adjusting always seemed kind of odd to me on the rebel. The ISO button was placed so you had to kind of search for it and then do a three button combo to set it. On the touchscreen I find this easier. A couple taps and its done. The other major place it's easier for me is AEB. Bracketing on Canon is typically a pain. Hit menu, find the exposure selector, hit OK. Slide the wheel, hit OK again then press menu. On touchscreen you just press the exposure and tap a couple times to set the bracket.

Touch to focus was something that I didn't see coming from Canon. When they announced it my thought was it would be OK but nothing great. I figured it would be where you would touch on one of the 9 AF points you would like the camera to use. But thanks to the hybrid CMOS on the camera, it is truly a touch to focus. No matter where in the frame you press the camera will seek out and quickly focus on that area. This function works much better than I anticipated and I may use it in the future. At first I figured this would be a selling point for soccer moms but I was incorrect. I have not used the face detection follow focus to comment on it yet.

Image Quality:

This is the most important thing in the end when you buy any camera. How will my images look? The t4i does not disappoint. Thanks to improvements in the processor, focus, sensor and noise reduction software the t4i simply crushes the previous rebel cameras. We can start with the White balance. On the previous rebels and even the 60d, white balance was not so great. A yellow or tan-ish hue was almost always present and reds were soft. Canon has addressed this issue and images are clear and cary a nice contrast throughout the image. Auto focus I have touched on. Moving from 1 to 9 cross type AF points and a new added contrast detection sensor for AF makes a world of difference. Focus is fast and true and doesn't waste time seeking as much as before. In live view mode in low light, the digic4 and old sensors were pretty bad. A lot of seeking and misplaced focal areas. This is greatly improved with this model. Because of these reasons if you shoot in auto focus or any auto mode on the camera your images will turn out better.

Low Light/High ISO:

When the digic 5 was announced Canon touted this as being able to provide up to 75% better image quality over the digic 4. Of course I didn't buy into this because it's Canon and they were there to sell you. With the t4i Canon added the digic 5 as well as some new noise reduction software to boot. How did it make out? I tested these things against a Canon 60D. Same lens, same settings. In RAW at ISO 6400 the image quality looked at least twice as good over the 60D in terms of noise. At 12800 its laughable. That being said, on my t2i I would not use an image over ISO 1600 to print or display or sell. On the t4i I would gladly use ISO 3200 and at times 6400. Auto focus is so much improved at high ISO and low light that it's one of the first things you notice when comparing the camera to the 60D.

Battery life: Have not used it a full day to test yet. I imagine if you use full time AF it will go down slightly from the previous models.

Other Additions:

Scene Intelligent Auto....Used for one shot. Seemed to be OK but I am a manual shooter. I am sure this would work well for most beginners.

Handheld Night Scene....This takes 4 quick shots in a row and then in the camera combines them to reduce shake and noise. At 6400 ISO the image did result in less noise over standard shooting in RAW. This mode can only be done in JPG. I can see it being very good indoors at functions or for quick night shots outside.

HDR Backlight Control....This will do in camera HDR. It takes three shots of various exposure and combines them to improve highlight and shadow detail.This worked well and didn't produce too much noise in low light. It does not produce an image that people now days think of in HDR with blown out tones and surreal feeling to it. It is more traditional in where it just makes shadows appear less and corrects some blowing out by brighter lights in a frame. Works well for what its supposed to be. Also only available in JPG

Autofocus during video...Worked well and somewhat fast with my 17-40. Still allowed some noise from the lens searching for focus, but I wasn't using one of the STM lenses designed for this function.

EDIT: Since my initial review I have had a chance to test video with an STM lens and try out the face follow focus. The STM lens does improve focus speed quite a bit in video and is much quieter. There is still a little noise but may be something you don't notice depending on the scene you are shooting. Face follow focus works better than I thought it would. It can actually focus on an object as well as just faces. It follows through the frame very well and precise even in low light. It's nto super fast to focus but still works well.

PROS:

Outstanding Image Quality. Even at higher ISO

Touchscreen

Ease Of Use

5 Frames Per Second Shooting

Auto Focus

CONS:

Built in stereo mic is kind of pointless unless you use an STM lens. Maybe even then.

The bezel around the touchscreen is uneven, but that has nothing to do with function. It's just poor design.

Learning curve on the touchscreen

Feature guide...It makes touchscreen control unbearable. Just disable it as soon as you turn the camera on and save yourself the frustration of being told why you need to change ISO every time you touch the button for it.

FINAL WORD:

If you were holding back or looking for a reason to upgrade your digic 4 based camera this is the one you are looking for. Compared to the t2i/t3i/60D this camera will offer you better image quality, focus, low light performance and ease of use. Yes the 60D is an "upgrade" over the rebel line but as of now, you'd only gain size, weight and one stop of shutter speed over the t4i with the 60D. With the t4i you'd gain better images, video, high ISO performance, touchscreen, shutter lag and a few other things. This camera offers many new technologies and additions from Canon that aren't seen on any other camera in their line up. If you are a beginner or someone with a previous rebel looking for a nice camera you will find this camera to offer many things that you will enjoy in a first camera or an upgrade. This camera can make your photos better by taking the same photos as you would have with the previous models just with the improvements and that is what you should look for. The t3i was a small upgrade form the t2i and Canon has made up for it with this rebel.

If you do own or buy this camera join the flickr group we have made. It can be found at Flickr /groups/canont4i/

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