Showing posts with label pentax digital camera reviews. Show all posts
Showing posts with label pentax digital camera reviews. Show all posts

Sony Cyber-shot DSC-HX20V 18.2 MP Exmor R CMOS Digital Camera

Sony Cyber-shot DSC-HX20V 18.2 MP Exmor R CMOS Digital Camera with 20x Optical Zoom and 3.0-inch LCD
Customer Ratings: 4.5 stars
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First, I didn't buy this from Amazon. I was walking around my local electronics store and played with it and bought it. Overall this is a good improvement from the HX9V. Few months ago, I purchased a Canon PowerShot SX260HS for $349.00 (you can get it for $299 now) and it's one of my favorites. How does the SX260 compare to this camera?

Resolution:

The Sony is an 18MP camera, Canon is 12MP.. besides the bigger JPG size, can't tell the difference both look decent when printing on 11x17..

Size/Weight:

Both are nearly identical. The Canon weigh 8.5oz, the Sony 8.8oz

Zoom:

Both have 20x optical zoom, but in comparing pictures, it looks like the Canon's optical "zoom" is closer. Canon has a combined 81x digital zoom, Sony's 40x. Canon's 81x combined digital zoom sounds nice, but there's so much noise that it may not be worth using. With the Sony, even at 40x the picture is still acceptable.

Flash Control:

With the Canon, you can adjust the flash power, with this, you can't....major disappointment especially for a camera that cost $399.00

Menu/Navigation/Ease of use:

This is more of a preference. I used Canon and I used Sony; personally I like the Canon because I think it's more logically ordered

Flash position:

Both are pop up flash. I know it's going to require people to change their grip but I kind of like the pop up flash.

AWB (Auto White Balance)

This is one area that I think Sony made a big improvement with this camera. The AWB on the HX9V was terrible and required manual tweaking. The Canon does a very good job with the AWB. I used this Sony for about a week and went through about 500 shots. The AWB has NOT missed it's mark; not even taking photos indoor with florescent lighting that can cause yellow tinting with improper AWB.

Speed:

One of the reasons why I got rid of the HX9V was because of the slow processing speed. This camera, the image processor performance has improved quite a bit. With the HX9V, it would take up to 6 seconds to save/process images. With this, I think the longest was 3 seconds. The speed is on par with the SX260.

Picture Quality:

In auto mode, the Sony does an excellent job reproducing accurate colors. The colors are more natural looking, but on occasion (especially in landscape mode) the blue and red looks amplified.

Manual Controls:

This camera DOES NOT have a "Shutter Priority" and DOES NOT have a "Aperture Priority" mode! The Sony's manual mode is practically useless. Sony what were you thinking!!! Canon has the Aperture and Shutter mode, and the Canon's manual mode give you more control although it doesn't compare it with a DSLR

ISO Speed:

This Sony goes up to 12800 AMAZING!!!... the Canon comes no where near this..

3D Feature:

I don't have a 3D TV so can't comment on it. I did try to take some 3D pictures (supposedly you can now view 3D pictures on the LCD screen; something the HX9V was not able to do) but I don't think it's working correctly, or maybe I just can't tell the difference. The Canon has no such feature.

Video Quality:

Sony's video quality hands down. This beast is fast capturing full HD. One of the thing I loved about the HX9V was the video quality. It was perfect for those quick moment. This Sony looks just as good if not better.

Memory Card:

The Sony has built in memory, it's not much but better than nothing. I used a Patriot SDXC and a SanDisk SDXC, performance identical. The SanDisk cost twice as much as the Patriot because it's suppose to be faster. I can't tell the difference, and neither can my cameras. Both camera recommends Class 6 of higher, but if you plan to record video, go for the Class 10. A 64GB card can capture close to 10,000 picture.

Battery Life/Charge:

With the Canon, I got about 250 shots before the battery indicator started flashing. The Sony was about the same based on mixed use. One thing about the Sony is that it DOES NOT come with a battery charger. But, you can charge it with a micro USB able. Call me old fashion but if you're going to charge $399 for a camera give me a battery charger! The Micro USB charge may not be a bad thing if they didn't put the port on the bottom of the camera. So when you're charging the camera has to lay on it's side. As others have commented, you can buy a decent aftermarket charger for under $5.00.

Live Mode:

The Canon has a dedicated "live mode" that allows you to adjust the color on the LCD screen before snapping a shot; kind of like a "what you see is what you get". Sony has this built into their auto mode. Press the down navigation wheel to activate this feature.

Scene Modes:

With the HX9V, the scene modes were terrible; the difference were so subtle. This Sony is a HUGE improvement. With the Sony, you can see there IS a difference now. I am especially impressed with the "food" scene. With this mode, when you take a picture of food, it's suppose to enhance the color to make it more appealing. With the HX9V, it's a gimmick, but with this it's a 180 degree improvement. My best description of this is when you see those professional pictures of food at restaurants, this Sony can produce that type of quality. Canon does a good job with most of the scenes, but I prefer the Sony now. The Auto and Super Auto mode works great. For the regular outdoor or well lit environment the Super Auto won't be much difference. For those complicated lighting situation, the Super Auto does a better job. But the Super Auto mode will take about three seconds to process the image. With the scene mode, just because its designated as a "food" mode does not mean you just use it to take pictures of food. I used the "food" mode to take other beautiful indoor pictures that are not food (without flash) at fancy steak houses, and they came out beautiful. The difference with this mode (and the ISO mode) is that the food mode enhances the colors a notch making them appear more vibrant.

Defcocus Mode:

One of the feature I like is the defocus feature. This is one feature that distinguish this camera from other Point and Shoot. With the more expensive DSLR camera, you can take a picture where the portrait is in sharp focus but the back landscape is blurred. Sony does a decent job with this (in fact, I haven't seen this feature on any other brand camera). This feature does not work with the flash because what the camera does is take two shots and combine them to create this effect. But do note that when you use this mode, the LCD screen will tell you how far the subject should be and if you ignore it and take a picture, the Defocus will not work (you still get a decent picture though)

LCD Screen:

Both units have a 3-inch LCD screen, but I think the Sony camera has a sharper, clearer display.

GPS:

Both units have GPS, I haven't used it on either units though.

Camera Body:

The Canon has a more solid feel to it. The HX9V had an "expensive" look and feel. With this Sony, it's just all black and nothing to distinguish this camera for others. The Canon has that expensive camera look and feel, but this Sony does not. It looks plain and boring.

Cost:

The Sony cost $399, Canon cost $299.00, $100 difference.. Is this camera worth $100 more than the Canon SX260HS? You decide...

Sony, if you want me to rate this 5-Star, please do the following:

1. Put the Shutter and Aperture mode back in this camera

2. Give me flash exposure control

3. Give me a battery charger

4. And, give it to me for no more than $349

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Canon 270EX II Speedlite Flash for Canon SLR Cameras (Black)

Canon 270EX II  Speedlite Flash for Canon SLR Cameras
Customer Ratings: 5 stars
List Price: $169.00
Sale Price: $149.00
Today's Bonus: 12% Off
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I previously owned the orginial version, the 270EX, and I can say that the new version is outstanding and well worth the price. I use this on my 60D and can't begin to tell you how much more creative possibilities you can achieve utilizing the wireless capability of this flash. I would highly recommend this version over the original if you have a built-in transmitter like in the 7D, 60D, or T3i. If you like to be a minimalist and travel light, then this flash is for you. Its about the size of two decks of playing cards put together and requires only 2 AA batteries. Eneloops are the best for this.

One of the best things I like about Canon is actually this flash (previously the original). Its light, small and still does bounce flash (where you point the flash at a ceiling to redirect the light). It has manual zoom (only two settings though) so you dont hear the motor of the more poiwerful speedlites. But when they added remote shutter capability and wireless trigger I was sold before it even came out. What it lacked in swivel (turning left to right, critical for shooting in the vertical orientation), it makes up in being able to fire off camera. That alone opens up so much more creativity (place it behind the subject for a silhouette effect for example). This is the best deal under 200 bucks to venture into flash photography.

After playing around with it though, there are limitations I want to point out. The remote shutter is not wireless but rather IR line of sight kind of thing, and you need to be pointing the flash towards the front of the camera for it to work. Also, its always a 2 second counter, no instant shutter release whether or not your drive mode says so. On few occassions I get no wireless connection to the flash, but once I adjust my position a few feet or so I get it back instantly. For what it is, this still works out to be a whole lot of possibilities. With the 60D, I am able to fire both my built-in flash and the 270EX II off camera at the same time, and, change the intensity ratio between the two outputs (1:1, 2:1, 1:8, etc). Those with the T3i can do this too.

So there you have it. If you have built-in wireless in your Canon body and like to travel light, this flash comes with my highest recommendation. Otherwise, the original is just as good without the wireless. If you like making videos the new 320ex version might interest you with its modeling light, and while its a little bigger and heavier (4 AA batteries), its still a good chioce in my opinion. Hope this helps!

UPDATE 9.22.11 ***********

I discovered that I can fire this flash on-camera with high-speed sync up to 1/8000 sec on my 60D, which opens up some possibilites with freeze-action shots or isolating the subject with a dark background (see my "bee" pictures). There is a setting on the Flash Menu to enable this. You can also do 1st or 2nd curtain settings, and, evaluative TTL2 or average exposure. For the most part the flash does a very good job throttling up or down depending on the focus distance. I didn't know this before, but, since this is an automatic flash, the way to under or overexpose (darken/brighten) an image does not depend on the camera's exposure compensation, but rather the flash's exposure compensation (which you adjust in-camera). On a fresh set of batteries, this flash has a very fast recycle time and good burst rate that is able to keep up with my 60D for about 7 to 10 bursts before slowing down.

Off camera as a wireless slave, however, the sync capabilities get watered down a bit. Fastest sync is only 1/250 sec now, and the flash exposure compensation, while working as normal, really depends on where you setup the flash (the flash by itself doesnt know how far it is from the subject). I find I get better results when the camera and this flash are about the same focal distance away from the subject. Burst rate slows down too, before able to do the high-speed rate on-camera, now only capable of low-speed burst rate. Still, I adore this flash and take it everywhere I go, which is so easy because its so small. Sometimes I wish it had more power, but, adjusting the manual zoom to tele and/or upping the ISO helps. It is still about 2 times more powerful than the 60D's built-in flash (27 GN versus 13 GN). Oh for those wondering, you can remotely trigger your camera in front of you and have the flash fire as a wireless slave for the same photo.

UPDATE 9.26.11 *************

Started to play around with the wireless flash with close-up and macro photography over the weekend. I'm really enjoying this flash! I can see how important it is to have adequate light when you do really close up shots (see my other "bee" pictures). Having the ability to position the 270EX II anywhere is so liberating compared to using on-camera flash. You never get that dreaded half-circle shadow at the bottom of your pictures. Using bounce of course does help, but what do you use when you are outside? In any case, any of the bigger brothers, 320ex, 430ex, and 580ex all do wireless flash as well. It's just that this one is so small and compact, and the most simplest of them all (just 3 settings: OFF , Wireless Slave, and ON).

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Nikon D800E 36.3 MP CMOS FX-Format Digital SLR Camera (Body Only)

Nikon D800E 36.3 MP CMOS FX-Format Digital SLR Camera
Customer Ratings: 4.5 stars
List Price: $3,299.95
Sale Price: $2,999.00
Today's Bonus: 9% Off
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Like others, I debated on whether or not to choose the D800E or the D800. I'm primarily a nature photographer, so my inclination was to get the D800E. The one potential problem situation was with moire on bird feathers. I ultimately chose the D800E based on the logic that birds have so many feathers at different angles and proportions that significant moire would be very unlikely.

Well I received my D800E two days before a planned trip to the St. Augustine Alligator Farm. After more than 2500 images under all conditions, I have to rate the camera as spectacular a step beyond excellent. Image quality and detail are stunning. I was using a Nikon 200-400 f/4 VR and a Nikon 600 f/4 VR for most of my images. The level of detail is simply stunning. There is detail that I have never before seen from any camera. I'm seeing resolution at 100% (1/7th the image) that is suitable for a web post or small print. And noise is completely absent at lower ISO levels and minimal even at ISO 6400.

You know going in that the D800E only has a frame rate of 4 fps. That's enough for a quick burst at critical action. With birds I'm shooting at 1/1000 second or faster so I am already trying to capture critical action and a catchlight in just a few frames. At burst rates it does take a little time to write to the card, but I never came close to filling the buffer.

One of the things that has been underappreciated is the new AF system. The new AF system of the D800 is excellent very quick and accurate. There have been some reports of AF errors with the D800 especially using the widest sensor and a wide angle lens. I have not seen that issue on my copy of the D800E.

The ergonomics and controls are very intuitive. This is a camera you can immediately pick up and use just like other Nikons. The one adjustment I had to make was with exposure compensation. The direction of the exposure comp has been reversed, but can be customized in the camera menu settings.

While there have been reports of the need for a tripod or special technique, I shot the D800E just as I would have used earlier cameras. If you miss focus the image is still soft, but there is no problem using the camera handheld or on a gimbal head.

File sizes are large and as expected the large files put greater demand on your computer. Large files understandably take longer to open and to save. But this is to be expected.

Colors and dynamic range at ISO 200 are spectacular. Even at high ISO levels, colors are very acceptable.

Overall, I am very pleased with the D800E and highly recommend it for advanced amateur and pro nature photographers. This is not a camera for a beginner or someone who is not skilled. This is a camera for someone who is skilled, understands the tradeoffs involved, and wants the best image quality possible in a DSLR.

EDIT June 16, 2012

I've continued to use the D800E and my opinion has not changed. It's a great camera. One thing to be aware of is the depth of field. Because the in focus area is so extremely sharp, your specific focus point and depth of field require a little more thought. Your choice of what parts of the image should be in sharpest focus will be rewarded, but if you make the wrong choice you can really tell the difference.

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ZyXEL 2-Bay High-Performance Digital Media Server and Network

ZyXEL 2-Bay High-Performance Digital Media Server and Network Attached Storage
Customer Ratings: 3.5 stars
List Price: $249.99
Sale Price: $147.14
Today's Bonus: 41% Off
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Reviewed: Zyxel NSA325. It supports 2 x 3.5" SATA drives, has 2 USB2 ports (back) and a single USB3 (front) & has Gigabit Ethernet. 1.6GHz Marvell processor is faster than older NAS devices (faster than the 800MHz CPU in the D-LINK DNS-320 or the 1.2GHz CPU in the DNS-325) and 512MB memory allows multiple functions at same time.

DRIVE INSTALLATION:

Drive guide rails must be attached to each drive via screws. Note that the pointy end of the rails must face INWARD (i.e. on the same side as the SATA connector). The quick install sheet doesn't mention this and it's easy to overlook from the diagram. The reason for the specific orientation is that you use a tool (located behind the drive cover) to remove an installed drive from its bay and this tool clips onto the exposed end of the drive rails. Also when installing be sure to insert the drive so that the SATA connector will mate with the drive (it will not if you insert the drive the wrong way and you could cause damage). ZyXEL needs to have better instructions. The front door is a little flimsy though, be careful when removing/installing to avoid breaking the tabs that keep it in place.

Note that drives are NOT hot-swappable, do not remove/insert with the power on. Drives up to 3TB are supported with newest firmware (note if you have old firmware you will need to temporarily install a smaller drive, create a volume, then use the firmware check function in the web interface to update firmware before installing 3TB drives).

RAID:

RAID 0/1 are supported. RAID 0 uses the combined storage space of both drives but has no redundancy. RAID 1 mirrors contents on both drives so if one fails your data is still safe.

POWER MANAGEMENT/UPS:

+ You can connect a (APC brand) UPS to the NAS via one of the USB ports and it will auto-shutdown when UPS battery is low (you can adjust when the shutdown occurs based on the UPS reported capacity remaining). A nice touch and one that will help prevent data loss. I tried it with a Tripp-Lite UPS and it wasn't recognized so it looks like only an APC will work.

+ You can set the UPS to always power on after a power failure, useful if acting as networked storage.

+ You can spin down drives if no data transmission occurs in a specified time (adjustable in minutes)

+ Supports "wake-on-lan" so device can turn on and service incoming requests even if powered off.

+ NAS uses external 12V 5amp power adapter. This is better than an internal power supply as it is easily replaceable if it fails.

+ Interestingly the NAS has an internal clock (powered by a CR2032 battery) and can be set to power on/off via time schedule.

THE BAD:

There is no "network activity" LED at the front panel (the LED is on the Ethernet jack). I would have liked to see a front panel LED. This is important as use of one of the back USB ports will block the network LED on the jack.

I do not think there is a way to migrate to larger capacity drives without backing up/replacing drives/recreate RAID/restoring the array.

Download Manager feature (more on this below) cannot download files that require authentication from websites (i.e. files that require login). This is a shame as this would been much more useful.

This NAS takes LONG to boot. This may cause a problem if used as network storage as PCs may boot quicker than the NAS!

For some strange reason the CPU temp is reported incorrectly (12 deg Celsius) on the NSA status page after some time in operation. It still seems to work correctly so this may be a minor bug.

OTHER:

+ Front panel USB connector is USB3 for fast copy from/to external USB3 devices. This is just for copying data from/to an external drive, I don't think connection to a PC is supported.

+ NAS has CPU temp sensor.

+ The fan is a 3-wire fan (has RPM sensor so the NAS can determine fan speed). The fan label mentions that has a hypro bearing, which supposed to be a long-lasting bearing. The fan is very quiet, practically silent.

+ Web-based interface is nice and clean, with attractive icons. The admin setup webpage is logically organized. You can check the CPU temp/CPU load/free memory from the admin page.

+ ZPilot feature allows you to drop files/folders to an "always-on-top" icon to copy to the NAS. Optionally you can have the NAS sort files into specific folders based on the file type.

+ Add-on packages really expand functionality of the NAS. For example installing the SMART package allows you to see the status (temperature, SMART status, model & serial #) of the installed drives.

+ Firmware update is totally painless, one click will check for new firmware, another click downloads & installs it. You don't need to download it from a PC then upload it to the NAS. However note that you must have drive(s) installed and a volume created to use the auto-update feature as it needs to download firmware to the volume. If no drive(s) are installed it will not work.

+ Has "Download Manager" built-in file download function & bittorrent client. By logging into the NAS and either entering the URL of a file to download OR uploading a .torrent file from your PC you can have the NAS download files unattended without having your PC on and running. A nice feature, especially for downloading large files such as Linux ISO images.

OVERALL it's a good media server for the price and I recommend it. But also check out the ZyXEL NSA320 2-bay Network Attached Storage and Media Server as it is similar but about half the price. The NSA320 uses a slightly slower 1.2GHz CPU (but has the same 512MB memory), but doesn't have dropbox features or USB3 port. You probably DON'T want the older NSA2xx series because these use a much slower CPU/less memory and transfer performance is not as good.

UPDATE: I now have multiple NSA325s and the only thing I have found problematic is the web interface. There have been times when the NSA325 is still on and working but I cannot login to its IP address (to get the web interface to display). Other times the web interface will be extremely slow to respond or even stop responding entirely. Also, the "firmware upgrade notification" message keeps appearing even though I'm on the latest firmware (which is annoying, even though I click "do not remind me"). Power resetting fixes the web interface problems but I should not have to do this. These problems have persisted even through firmware updates and I am disappointed that such basic bugs have not been dealt with.

A more expensive and larger capacity NAS alternative is the Synology DiskStation 4-Bay (Diskless) Network Attached Storage DS413j. (See my DS413j review for more).

I hope this is helpful!

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Apple MacBook Pro ME665LL/A 15.4-Inch Laptop with Retina Display

Apple MacBook Pro ME665LL/A 15.4-Inch Laptop with Retina Display
Customer Ratings: 4.5 stars
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I purchased the newest version (Early 2013) which had the upgrade to 16GB Ram and 512GB SSD.

The notebook is extremely fast. Computer seems solid, boots in 10-15 seconds from off, sleep to ready in 4-5 seconds. It opens programs in no time flat. It is not light as an air book, but still defiantly lighter than previous models. The screen is great, bright, and responsive. With heavy use I get about 5-5 1/2 hours of use on the battery.

Some peoples complaints are the new power adapter, I will agree with them, the new adapter sticks out further and gets knocked off a lot. Not having a dvd drive, not a big deal...I dont think i've used a dvd or cd in a computer in a few years! If I need to I will just have to purchase the external.

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Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR

Nikon 24-120mm f/4G ED VR AF-S NIKKOR Lens for Nikon Digital SLR
Customer Ratings: 4.5 stars
List Price: $1,299.00
Sale Price: $1,296.95
Today's Bonus: $2.05 Off
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Being a glutton for punishment, I've owned each incarnation of the 24-120. Honestly, the original was about the worst Nikon lens I've ever owned...I used to describe it as "how to turn several thousand dollars of camera gear into a $200 point and shoot". It was that bad...poor contrast, distortion, vignetting, slow focusing, etc. The only really bad Nikon lens I've ever owned. Thank goodness for eBay, and my condolences to whoever is using that lens today.

Then came the second generation 24-120. Not ready to give up the dream of having a 5x zoom for my (then) new D3, I took the plunge a second time.

The second-generation 24-120 was better than the original, but still not the sharpest tool in the shed. I'm lucky enough to own the "magic quartet" of Nikon zooms (14-24, 24-70, 70-200, 200-400) but I get lazy like everyone else and would like to have a single walk-around lens. Still, the difference in image quality was just too noticeable when I wimped out and took the 24-120 instead of the "real lenses". I'd go out with the 24-120 on my D3 and get some shots that would have been keepers with (say) the 24-70, but ended up disappointing with the 24-120. On my DX camera, I came to like the 16-85 the same 5x zoom range as the 24-120, but with much better image quality. Except maybe in very low light, I actually got better results with the D300 and the 16-85, versus the D3 and 24-120. I tried to convince myself otherwise, but pretty soon the 24-120 was mostly sitting home gathering dust. The second-generation 24-120 eventually landed on eBay, too.

Well, I guess I never learn...still wanting that 5x zoom for my FX camera, I took the plunge and bought the latest 24-120 f/4. I guess I'm a hopeless optimist, but part of me expected to be disappointed once again. Still, instead of disappointment, so far, I'm reasonably impressed with it. Really.

In a nutshell, this is a very different lens than either of the earlier 24-120 products. It handles differently, it's constructed more ruggedly, and it's faster all the way around. The best way to describe it is to say that it's very similar to the 16-85 in terms of image quality, but scaled up for an FX body. That is to say, it's sharp, offers good contrast and color, and not so much distortion that you can't correct it in post processing.

To be clear, the long end is a bit soft wide open, but entirely acceptable at f/8 or so. I'm finding the short end very sharp at 24mm, but with some noticeable distortion (that can be easily fixed in Capture NX2 or Photoshop). Color and contrast are very good, usually giving that "pop" you get with good pro-grade lenses, and for a complex lens, there's relatively little flare. The VR system, as usual for Nikon, works unobtrusively and very effectively. And it's that much better on a DX body most likely outperforming the 16-85 in overall image quality (and that's saying something). Though a slight step down from the best lenses, construction quality seems very good, and the lens seems to handle effortlessly on my bulky D3 as well as on my smaller D300.

Make no mistake, I'd never give up my 24-70 for one of the new 24-120 lenses. In addition to that extra stop (f/2.8 vs. f/4), the 24-70 is one of the world's best in its range...I feel comfortable stacking it up against anything, even those exotic Leica or Carl-Zeiss primes. The 24-120 is "good enough", but you marvel more at the way Nikon made all the design trade-offs, rather than feeling that you have a lens that's about no-compromise absolute top image quality. Still, the 24-120 is finally at a stage where you can carry it around on your FX camera and have no regrets.

I think Nikon finally has a keeper in the 24-120 family...at long last!

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Polk Audio SurroundBar IHT 6000 Instant Home Theater (Black)

Polk Audio SurroundBar IHT 6000 Instant Home Theater
Customer Ratings: 4 stars
List Price: $499.95
Sale Price: $358.99
Today's Bonus: 28% Off
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I've had the Polk IHT 6000 Soundbar for a week now and it has been an interesting experience.

I got a new 60 inch Sony LED-LCD TV and was looking to have sound to match. My old sound system was really great with a Yamaha AV Receiver, 3 Infinity speakers in front, 2 JBL surround speakers, and a 10 inch Polk Subwoofer. The sound from that system was awesome, but the wires and speakers everywhere was too much for me anymore, and with the new big TV I no longer had room for the receiver.

I went looking for a soundbar and tried several. Sony, Vizio, and Polk. I tried the Vizio since it was the only soundbar out there with separate rear channels and a wireless sub. It was great looking and great in terms of functionality, but the sound was awful. Muddy, nondistinct, just all around bad. The Sony was OK, but a little tinny and I didn't like that you had to wire everything to the sub first and then to the soundbar... I was trying to get rid of wires. Then I got the Polk.

The Polk's sound is full and rich. The setup is easy, one audio wire, one power cable. I was very happy, but not thrilled and still felt a longing for my old system which went bye by on ebay. After doing a good amount of research, I found that I may have had the soundbar placed wrong. It was above my TV angled down, kind of close to the ceiling (this is in my basement so the ceiling is low). I decided to move the soundbar to just under the TV (They are both wall mounted). It is much closer to ear level now

All I can say is WOW. The difference in sound between the locations is astounding. I am now TOTALLY happy with the Polk Soundbar. The sound is full and rich and really great. It is NOT however as good as a true 5.1 or 7.1 system, but it is pretty darn close and considering how nice it looks and how easy it is, I have no regrets. The surround effects are good but not like a true surround system. If you need to have true surround, this is not the system for you. I am very happy with it, and with a blu-ray in the player, that sound really does fill the room. You do get the feeling that there is surround sound, but it is just a feeling, not the reality you get with a true 5.1 system. Don't get me wrong though the sound is VERY good.

With that said, there are some negatives. First off, there are no audio settings like bass or treble, there is however a sub level adjustment (more on that later). Polk feels that you get what you get. I wish I could boost the treble a little, or that they would put a quality tweeter in the center of the soundbar. The sub level adjustment is OK, but it is basically a volume control for the sub, and there is no level indicator, so I have no idea if it is set at 1 or 10. It is just a guess.

I have also listened to the B&W Panorama soundbar and the Yamaha sound projector. Those 2 units do a better job than the Polk, the Yamaha is slightly better, and the B&W is a lot better, but the Yamaha is a thousand dollars more expensive and not nearly worth the extra expense for such a slight improvement over the Polk. The B&W is truly amazing and a true audiophile solution, but at well over 2 grand, it was way out of my price range.

In conclusion, the Polk soundbar IHT 6000 is in my opinion the best soundbar out there under $1500.

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New Pioneer Sealife DC1400 Digital Underwater 14MP Digital

New Pioneer Sealife DC1400 Digital Underwater 14MP Digital Camera for Scuba Diving & Snorkeling
Customer Ratings: 5 stars
List Price: $529.95
Sale Price: $499.95
Today's Bonus: 6% Off
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I bought this camera when it first came out. It has been a good camera for my first underwater camera and for the price. But dont let the cheap price fool you. It takes great pictures. Just pay attention to the focus, if you are anywhere near 3 foot or closer, put it on macro believe it or not it will take a better pict, something to do with the built in wide angle lens I think. I had a problem with the underwater housing zoom button, contacted Sealife off their website and they replace dit with no hassle and I had my camera back within a week. The cutomer service through them was super great

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Nikon 180mm f/2.8D ED-IF AF Nikkor Lens for Nikon Digital SLR

Nikon 180mm f/2.8D ED-IF AF Nikkor Lens for Nikon Digital SLR Cameras
Customer Ratings: 5 stars
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This lens is legendary, but due to its sloooooooow focusing, doesn't have much value to sports shooters these days. It is a great lens for landscapes and portraits on FX and could make up for any issues with the 70-200 on FX, which frankly, I feel are way overblown. At any rate, if you need a fast medium tele and can't afford the 70-200, this is worth a look. No VR and no AFS make it very antiquated, however. The sharpness and bokeh are superb, however. Look for a used one.

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Adobe Premiere Pro CS6

Adobe Premiere Pro CS6
Customer Ratings: 3 stars
List Price: $799.00
Sale Price: $669.95
Today's Bonus: 16% Off
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I personally own CS5.0, CS5.5, and CS6.0. I was quite pleased with the CS5.x series, so I upgraded to CS6.0 as soon as it became available. What a big mistake! It doesn't work properly. The video frames froze or displayed solid colors or blocks of solid colors. I tried to import projects made with earlier versions of Premiere Pro that performed properly with those earlier versions, and they did not function properly with CS6.0. I tried to recreate those projects from scratch with CS6.0, and had similar dismal results. I reported my unsatisfactory and dismal results to Adobe in bug reports.

Since I own CS6.0 I will spot check Adobe's progress in fixing the bugs in CS6.0; however, I will not hold my breath waiting for an Adobe fix update that works. I will continue to do all serious work with CS5.5 as it does work properly now. On the plus side, I can run both CS5.5 and CS6.0 side by side. If Adobe does decide to fix CS6.0, I will update this report to reflect that progress.

Update

I just installed the latest software update and retested Premiere Pro. Nothing that I reported on here initially has changed as a result of this software upgrade.

Updated 2012-0917

I just installed the V6.0.2 software update and retested Premiere Pro. I tried recreating from the ground up those projects that worked perfectly with V5.0 and V5.5 and failed miserably with the newly released V6.0. The stuff that failed miserably still fails miserably the same way with V6.0.2. The stuff that worked, still works. Importing projects into V6.0 from V5.0x are the same. Things that failed before still fail. Things that worked still work.

I did contact the Premiere Pro design team about the problem. They have an attitude-superiority problem. I am just a "mere" individual customer not worthy of a response. Being a an experienced design engineer, this total lack of engineering professionalism turns me off totally about the product. I still use CS5.5 as I can rely on its working properly with my projects.

Updated 2012-0928

I just installed the V6.0.3 software update and retested Premiere Pro. Nothing new. I recreate everything from scratch to avoid carrying production errors caused by previous bugs forward into the realm of the new release. Still broken as expected. Still unusable.

I have been so concerned with the horrible video drop-outs and bad video previews, that I have observed that I did not report on the audio dropouts. They are there too. CS6 is seriously broke in many respects. It is bad enough to be technically deficient, i.e., have software bugs, but to not care about correcting those technical defects is inexcusable. Other Adobe divisions take quality defect correction (bug fixes) very seriously. Premiere Pro does not.

And based on my limited contact with Adobe Premiere Pro engineering and many years practicing engineering, Adobe seems to have amassed a Premiere Pro engineering team that considers itself too important to have to care about technical defects in existing released product, i.e., so important that they can spend their time working on "fun" stuff and not waste time on mundane bug fixes of existing product.

Stick with the CS5.x series.

Updated 2012-1001

By accident and playing around, I discovered a mechanism to circumvent the Adobe Premiere Pro CS6 bug that created many video and audio dropouts. This discovery also defined exactly the Adobe Premiere Pro software bug that caused my problems and needs to be fixed. Unfortunately, the Adobe Premiere engineering folks are much too "high and holy" to communicate with just a mere low individual mortal customer like me, so I do not know to whom at Adobe, a person who cares about bugs and bug-fixes, to communicate my bug fix. It would be nice to see the fix incorporated in the next update release. Is there someone at Adobe who cares? I would raise the rating from zero stars to many stars if it were fixed !!!

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Sony Alpha DSLRA300X 10.2MP Digital SLR Camera with Super

Sony Alpha DSLRA300X 10.2MP Digital SLR Camera with Super SteadyShot Image Stabilization with DT 18-70mm f/3.5-5.6 & DT 55-200mm f/4-5.6 Zoom Lenses
Customer Ratings: 4.5 stars
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Having previously reviewed the Alpha 200 and 350, it seems a bit silly to review the Alpha 300. After all, the Alpha 300 is a 200 with Live View, or a 350 with 10 megapixels instead of 14mp. Right?

Well, pretty much that's the case. But there is also a corresponding price difference. Is Live View worth an extra $100? Is 14mp worth an extra $200?

For my money, yes, Live View is worth the $100 because of the way Sony has implemented this feature. Unlike most systems, you won't see a loss in autofocusing performance (or a loss of autofocus completely), nor will you alter the way the exposure and white balance are determined. Add to this the articulated screen that makes extremely low or high angle shots easier, and I say "YES"! Any drawbacks? Yes, this screen is a bit thicker, and pushes you back a bit when looking through the camera. Also, the way Sony implements Live View does mean you only see 90 percent of what you'll get on the image.

OK, is 14mp worth the extra $200? I don't know, but I don't think so. We really need more critical comparisons from people with true scientific methods of measuring the difference in image quality, but there are a few assumptions that will probably hold true, based on previous cameras. The 14mp will give a superior image in good lighting, when ISO values (the fake "film" speeds) can be set to higher quality settings. You won't see this difference on an 8x10 standard photo, but probably could in very big enlargements or severe cropping of photos. Keep in mind that the "1.4x and 2x teleconverter" option you have with Live View is nothing more than cropping, with 2x dropping your effective megapixels in half.

Past cameras would suggest, however, that the higher pixel density of the 14mp camera would be a drawback in low light conditions, in particular when we have to raise the ISO settings. Thus, they may not even be as good as the 10mp sensor for these applications (but we still need critical testing to confirm this assumption).

So, for my money, I'd say the 14mp is probably not worth the money for someone shooting an even variety of shoots, but might be for a landscape/wildlife photographer.

Compared to other brands, I think the Alpha 300 wins on features compared to the Canon Digital Rebel XTi or Nikon D60 (Live View, stabalization in body). The new 12mp Canon XSi is more in the price range of the 14mp Alpha 350. In any case, with 3 new Alphas, and the new D60 and XSi, there's no more excuses! Get a camera and start taking great photos!

Sony Alpha A200K 10.2MP Digital SLR Camera Kit with Super SteadyShot Image Stabilization with 18-70mm f/3.5-5.6 Lens

Sony Alpha DSLRA350K 14.2MP Digital SLR Camera with Super SteadyShot Image Stabilization DT 18-70mm f/3.5-5.6 Zoom Lens

Nikon D60 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens

Canon Digital Rebel XSi 12MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)

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BlackBerry Curve 3G 9360 Black Qwerty

BlackBerry Curve 3G 9360 Black Qwerty
Customer Ratings: 4 stars
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It's an EXCELLENT product.

It has the right price, size, weigth and cost, perfect in every way.

I am sooooo happy and I really recomend all of you to experience the new RIM BB Curve 9360.

P.S.: I live in Venezuela and the 3G works perfectly!

For 3G to work in Venezuela:

AT&T branded for MOVISTAR & MOVILNET

T-Mobile braded for DIGITEL

UNLOCKED of course!

Ya tengo el telefono en mis manos, funciona perfecto el 3G de Movistar (la linea que yo uso). Solo tienen que escribirle al vendedor y preguntarle si tiene el telefono T-mobile branded (significa que viene con el logo de T-mobile y que funciona para Digitel) o si es AT&T branded (significa que viene con el logo de AT&T y es el que funciona para Movistar y Movilnet) Especiquen que necesitan uno con el brand de alguna de las dos y listo.. Lean los otros comments tambien...

Saludos a todos..

Blackberry Curve 9360 Unlocked Smartphone T-Mobile, AT&T Black

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Sony MDR-NC7/BLK Noise Canceling On-Ear Headphones

Sony MDR-NC7/BLK Noise Canceling On-Ear Headphones
Customer Ratings: 3.5 stars
List Price: $49.99
Sale Price: $31.58
Today's Bonus: 37% Off
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Based on the price, I took the plunge. The construction is pretty solid and look good on the head. The pads are very comfortable with a soft "vinyl" type material. The "arms" of the headphones wrap around the head really well because of the hinge at the top of the headphones.

But to the most important feature: the noise cancelling function was not dramatic during flights it worked well for a semi-quiet office environment, but my primary need for this is flying. And during flying I noticed only a slight change. Good for the price, but not if you are looking to use this while flying or similar environments investigate other options.

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Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital

Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras w/ 67mm Multicoated UV Protective Filter, Deluxe Bag, Lens Cap Keeper, Microfiber Cleaning Cloth, Memory Card Wallet, USB 2.0 Card Reader, Professional Tripod
Customer Ratings: 4.5 stars
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I only really needed the UV filter and the Tripod as one of my backups has a broken clip. The Lens itself is now my most used Prime I have.

Lenses:

new Canon 100mm f/2.8L IS USM

Canon 50mm f1.8

new Sigma 50mm f1.4 (Lens is over rated IMHO) Loud lens and focus is spotty

4 other zoom lenses (3 are L glass)

The IQ is the best it can get and I have been looking at photos try to decide if it is just because I want it to be better (no it is just better)

I have less out of focus images and I have the best dynamic range it seems also. (yes it is situational but it really looks good)

I have not had the lens long and I was debating on the 135mm f2L for many months before I decide I wanted to do some Macro work so this became the easy choice. I don't think I went wrong with that choice as the extra stop does not bother me too much.

My thoughts on IS are for hand holding quick photos which seems to be what I have been doing lately. The IS does seem to help with lower Shutter speeds as advertised for me. Like I said before I have very very few throwaways with this lens.

Matched with the 5D mark III it seems to perfect. My 7D also has no issues but the ISO noise seems to be much greater on the 7D at even ISO 400-800. I don't know if it is the lens on the crop frame or something with the 7D and this lens. Other lenses EF-S 17-55mm is perfect on the 7D without the same noise issue. (strange) Don't be discouraged by this if you have a 7D as I have not tested it much (one shoot) and it could have just been something with the 7D settings.

For what I need it for it won't be going on the crop frame much anyway.

Long story short this is my sharpest lens and I have some lenses that I love. When wide open or stopped down this thing just performs. I can't see softness even at f2.8 anywhere with many different shutter speeds. I will be doing some macro work soon and will update the review as I'm just learning Macro which seems to be much different then my normal event and portrait photography.

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Sony Alpha DSLRA350X 14.2MP Digital SLR Camera with Super

Sony Alpha DSLRA350X 14.2MP Digital SLR Camera with Super SteadyShot Image Stabilization with DT 18-70mm f/3.5-5.6 & DT 55-200mm f/4-5.6 Zoom Lenses
Customer Ratings: 4.5 stars
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I don't have several hours to do a proper review on this excellent camera, but I can quickly share the high points. It has great "human factor" engineering, meaning it fits your hands like a glove and all the controls are easy to access. The camera/lens combo is very light and easy to handle. If you have any Minolta lenses, they fit. The ability to view the picture on the large, bright LCD instead of through the viewfinder is a definite plus in many situations. 14+ megapixels ... really, how many more do you need?

Here's the bottom line ... I worked for Kodak, I've been a serious amateur photographer for decades, I've shot thousands of pictures (hundreds so far with this camera) and it leaves nothing that I can think of to be desired. If you want to spend more bucks on a Nikon or Canon, have fun. But for my money, this little beauty is a clear winner.

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Samsung LNT4071F 40-Inch 1080p 120Hz LCD HDTV

Samsung LNT4071F 40-Inch 1080p 120Hz LCD HDTV
Customer Ratings: 5 stars
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I researched the 81 and 71 series for as long as they had been announced (~ 6 months, since CES show). I got all hopped up about the "100k" contrast ratio on the 81 series due completely to the new "LED" backlighting. Well, at AVS forums, one guy bought both, and concluded that it only mattered when the screen was totally black (like the black bars on the top and bottom of the screen when watching a wide screen formatted movie, or a fade scene), and then only a little. The general conclusion seemed to point to the 71 series being the sleeper hit so far this year (dunno about the xbr5, but some reports put this one right with it), and that the 81 series wasn't worth the extra grand or more.

Too late for me, because I rushed into BB to pay up front for an 81 series tv as soon as the store had the sku in their system (4 weeks before they even showed up). Yeah, I got to use a 12% off good customer coupon, but in the end I could have had a 52" 71 series instead of a 46" 81 series (especially seeing how heavily discounted they are now on Amazon). The anti-motion options in the 81 are only available in "movie" mode, and are buried in the menus, and only has an on/off option, versus the 71's easy to navigate 3 level options for the anti-motion feature.

The reviews point to the colors and picture appearing just about the same between the 2 tv's when the screen or a large portion of it wasn't all black. Other than that....get this one. It is worth the premium over the 61 or 65 series. As long as you can live with a glossy / semi-glossy screen (versus the xbr4/5's matte screens), you won't be sorry. As for me, I'm wondering if I should bite the bullet and be one of those turkeys who uses the 30 day guarantee to return the TV and get a 71 series...it is a lot of money not to be totally satisfied with the purchase. Best of luck.

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Sony Cyber-shot DSC-H90 16.1 MP Digital Camera with 16x Optical

Sony Cyber-shot DSC-H90 16.1 MP Digital Camera with 16x Optical Zoom and 3.0-inch LCD
Customer Ratings: 4.5 stars
List Price: $180.00
Sale Price: $179.95
Today's Bonus: $0.05 Off
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I bought the bundle, which is a great deal. The case is simple but nice (and can store an extra memory card) and the 4GB card saves some money.

The camera itself has a tremendous amount of features, and takes very sharp pictures, even at extreme high zoom. The automatic setting is very clever, and makes smart decisions about lighting and flash--smarter than my 2-year-old Canon. Note: it's strange that a "force-flash" option is not allowed under full automatic mode, but hardly a deal-breaker as you can switch to partial-auto mode. The image stabilization is quite good.

The main con is the pop-up flash, which is annoying because my fingers tend to want to grip the camera there. Even 5 millimeters to the right and would have been no problem, but I suppose it was a compactness issue. The flash is quite powerful for a consumer camera.

Another silly issue is the included manual, which is horribly inadequate. Fortunately you can find a real manual online. The manual is needed because the camera has a lot of hidden complexity, especially if you want to use the top features.

Still, all and all, I'm quite happy with the value for the money, and to get 16x zoom in such a compact form.

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