Showing posts with label cmos digital camera. Show all posts
Showing posts with label cmos digital camera. Show all posts

Sony Alpha A700 12.24MP Digital SLR Camera with 16-105mm Lens

Sony Alpha A700 12.24MP Digital SLR Camera with 16-105mm Lens
Customer Ratings: 5 stars
Buy Now
NOTES: I still Own this camera in Dec 2010. There are a lot of new cameras with exciting new features. But in my opion this is the LAST GREAT APS format still image DSLRs. And looking at Sony's unfornunate need to copy Nikon with things like cluttering the Shutter Button with a power switch on all new models the A700, A900 (which I have used) and A850 may be the last cameras that fit the hand and quick clean shooting experience. Since I wrote this review Sony did a major Firmware upgrade that improved image quality related to high ISO noise and allows users to show RAW with no noise reduction. On top of that Lightroom 3 fixes the problems Adobe had dealing with Sony RAW files. Both of these upgrades were for me were like getting a new camera. There are moments video would be nice, I would like the improvements in focusing Sony and others have created in the past 3 years. But I have to say.. there are cars with features and classic cars people love to drive.. The A700 is a camera that makes photography a joy and all the new features seem to only clutter that experience so someday I will add a new camera to my gear. I will never "upgrade the A700" I think it as a moment of magic for still photography before Video and more technology transformed the experience forever. There is a reason USED and NEW UNSOLD STOCK have held their price so well. If you own Sony / Minolta lenses this is a great camera to own even though it is one of the last cameras without Live View on LCD etc. If you want a photograpy tool that doesn't get in the way of your art with features.. think about this camera. It will be a classic.

Original Review Soon after Buying A700 in 2007 -----------------

For years I shot Canon SLRs and for a while I moved to Nikon and Canon smaller digicams. When I jumped back to the SLR format in digital I ended up with the Konica-Minolta 5D over the Canon and Nikon cameras in my budget because of great image quality and in camera stabilization which works very well.

I recently upgraded my KM 5D to an A700. WOW!! This is by far the easiest camera I have ever used. Head and shoulders above traditional menus and tiny LCD Icons. The rear LCD shows you all the important settings at one time in a large easy to read format, sometimes with colors to alert you to what might be an unusual setting.

When you need to change anything from Shutter Speed to White Balance you do it right on the settings screen either by pressing one of the several dedicate buttons or using the easy thumb joystick. For shooting I almost never have to go into a menu except to format the memory card.

Auto Focus and Shutter:

It is fast and quiet. The AF has been tested faster than the new Canon in most lighting situations, though lenses on both systems will affect speed.

Both Sony and Now Sigma are coming out with quite focusing lenses that have built in motors so, Sony users will have lots new lens choices.

KEY FEATURES I LIKE:

Stabilization:

The in body stabilization works well With my 18-250 I have pulled off some shots even at 1/10s while at 250mm That is over 5 stops of stabilization, Sony only claims 3.5 stops. This stabilization works on all Sony And Minolta format auto-focus lenses. Some systems like Canon do not offer stabilized lenses in key formats like primes(non zooms) that are used for close-up macro shots or portrait work. It also adds cost and weight to each lens, with this system if you can find a bargain on a lower cost lens or a used lens it is still stabalized.

Example: Minolta made a 70-210 f4 lens often called a "beercan" that is legend in sharpness and image quality. It is often seen used here and on auction sites for $125-$175. It like all Sony compatible lenses becomes stabilized and would be like getting a $600 plus lens for $150.

ISO:

The Sony A700 offers ISO 100-3200 and up to 6400 as "extended ISO" but all ISO ranges are available at all times, no menu settings will enable or disable them like on the Canon 40D. It offers the ISO in 1/3 stop increments, but using the the front control wheel lets you jump a full stop at a time.

Dynamic Range Optimizer (DRO):

Sony has several levels of DRO that do what used to take shooting in RAW format and working in tools like Photoshop. It automatically recovers overly bright areas and areas hidden in the shadows so your pictures look more like what your eye can see. Unlike some other cameras that just apply shadow recovery settings to the whole image, Sony has DRO levels that analyze and adjust the image by area to make the effect more natural and keep noise down.

Wireless Flash:

The built in flash is also a wireless trigger for the Sony Flashes and others including the old KM 5600hs and 3600HS, and some Sigma and Metz models. On some systems this is a $150 to $200 add on.

Remote abilities included:

For taking family shots etc. Sony has free wireless remote that lets you take trigger the camera or a 2 second delay then shoot. Plus tons of controls for showing and reviewing your images on a TV. If you hook up the camera to an HDMI TV and to a printer at the same time you can do a family slide show and tell it to print picture from the remote as people ask for copies.

It also has remote control software for the computer so you can set it up like a studio and shoot and review images from the attached PC. Great for doing lots of portraits at events without more expensive software or accessories.

It supports both Standard Video and HDMI output so you can see the images on your new HD TV.

Memory Card Support:

Unlike the 40D it supports the new UDMA 300x CF cards and memory stick pro HG so that you can take 25+ cRAW shots a 5 FPS before it needs to pause or an unlimited number of JPGS in any size. You can have both a CF card and Memory stick installed at the same time and switch over when one fills without stopping to open your bag and change memory cards.

Body Seals:

Its not splash proof but Sony has sealed all the doors and controls so dust and stray moisture will not hurt the camera. Some makers like Canon reserve full seals for more expensive cameras.

IT JUST FEELS GOOD IN MY HAND:

It was love at first touch.. a camera designed to fit in the hand.

Unless there is a specific lens or very special accessory that you need on another camera brand, this camera should be #1 or near the top of the list for cameras you consider.

Sony may be new to DSLRs, but they make sensors for lots other DSLRs like Nikon and when they bought the camera business they got most of the designers with years of experience from Minolta. Sony is building cameras for people who love photography and with features for people who like a camera to work with new technology like HD TVs. That makes it a fun camera to own.

I looked at the Canon 30D, 40D, Pentax K10D and Nikon D300 before choosing this camera.

BTW the Nikon D300, would be my second choice, but would cost much more, and still would have limited options on which lenses are stabalized.

Click Here For Most Helpful Customer Reviews >>

Canon EOS 70D 20.2 MP Digital SLR Camera with Dual Pixel CMOS AF

Canon EOS 70D 20.2 MP Digital SLR Camera with Dual Pixel CMOS AF and EF-S 18-135mm F3.5-5.6 IS STM Kit
Customer Ratings: 5 stars
Buy Now
This is going to be short, since I've not had the chance to do a whole lot of shooting as yet. Consider it a "just out of the box" impression. I already have a Canon 5D Mk III, and a number of L series lenses. I wanted a "backup camera" for video shooting, and I was intrigued by the new auto-focus system offered on the 70D.

So far, I'm extremely pleased with this camera. The 18-35 mm kit lens gives a lot of range, and I tested the camera out with my other lenses. The L series lenses work very well, and auto-focusing is fast, smooth, and doesn't search around much even in very low light. The camera is not as heavy as the 5D Mk III, but feels solid enough, and not all that different in the hands. Even with the 70-300mm f4-5.6L IS USM zoom my heaviest lens at the moment the camera feels surprisingly balanced.

The crop sensor obviously changes the effect of the lenses, but having a full sensor and a crop sensor both, it's like having 2 sets of lenses. My 70-300mm zoom now has an effective reach up to 480 mm (on the Canon 70D) due to the crop factor of 1.6. To me, this is kind of a bonus, though not in itself a reason to buy the camera. Smaller sized sensors result in an apparent increase in focal length, and a greater depth of field, but this is a generalization and each lens has its own properties that affect the image as well. Read the reviews of individual lenses when considering how each one reacts to different types of camera bodies.

The main thing to take note of is that while the Canon 70D will accept all the EF and EF-L lenses, it is designed to use the EF-S series lenses as well. In fact, the EF-S series lenses are custom tailored specifically for the Canon 70D and (as far as I know) other APS-C crop sensor cameras made by Canon. These lenses and the kit lens is one of them will not work on a full frame camera like the Canon 5D mkIII; the rear element extends back into the camera body in a way that makes it impossible to attach lenses of this series to full frame sensor cameras. Even if they could be attached, I suspect the captured image might suffer from serious vignetting and other problems.

For a thorough understanding of how the APS-C, full frame and other types of sensors interact with various lenses, I highly recommend doing some research on the web. There's a lot of good information out there, and this is a fairly involved subject that I don't even want to attempt to dive into here :)

One thing I couldn't figure out before having the camera in my possession deserves a mention. This is my first experience with a fold-out LCD screen on a DSLR, and I had no idea how the display would deal with flipping around 180 degrees. Would it be upside down? This was the first thing I tried, and the screen auto-flips when it is rotated. Maybe everyone else already knows this but I didn't! Anyway, the fold-out display is a great feature, and it also folds face-in to protect the display when not in use.

The ability to touch various points on the LCD display while in Live View or shooting video, and shift focus while shooting is to me at least worth the price of admission. If Canon eventually updates the 7D and/or the 5D Mk III, this functionality would be most welcome!

Purely as a "gut reaction" I really like the 70D immensely. And it seems a very good value for the price. This may actually become my preferred "walk-around camera, though time will tell.

EDIT 10/22/2013: I've spent a lot more time with the camera now, so I can add to my earlier comments.

While I purchased the 70D mainly for shooting video, I recently used it to shoot bracketed exposures for HDR (high dynamic range) panoramas. A friend of mine had a nodal camera head (The "Ninja" head) which allowed for precise rotation of the camera to cover a full 360 degree field-of-view. The Canon 70D allows for up to 7 bracketed exposures via the AEB controls. The plates were shot in the RAW (CR2) format, using the kit lens, and stitched together using PTGui software.

After some initial trial runs, where we ironed out the kinks in the whole process, the results were exceptional. For those who may be wondering "why do you want a 32 bit HDR 360 panorama at 10k-16k resolution?" it is used to create realistic lighting and reflections in a 3D/CG software (i.e. Modo or Maya, for example). The 3D scene can be lit entirely by the 360 panoramic image, producing a very convincing result.

At any rate, the Canon 70D delivered terrific results doing something I didn't even foresee when I bought the camera. I will try and upload some of the tests (where the photographic panorama serves as both background and light-source) if I can figure out how to do so on the Amazon site.

EDIT 11/9/2013: A note to anyone who intends to shoot green screen (for color keyed composites) or do precise color grading in post production: The video output from the 70D is not YCbCr 4:2:2 compression. This is not apparent to the naked eye when viewing the video footage, but it becomes an issue when attempting to work with the footage in a post environment. The firmware update for the Canon 5D addressed this problem by enabling 4:2:2 color output via the HDMI port to an external recording device (I use the Atomos Ninja 2 for this) but currently uncompressed "clean" HDMI is not enabled on the Canon 70D. I have my fingers crossed this will be dealt with in an update to the firmware.

This is not a huge issue unless you intend to do extensive manipulation of your video footage in post production, but it is something to consider with this camera and DSLRs in general. There are workarounds, of course, but that can entail a fair amount of time & effort, particularly when extracting color key mattes (masks) involving fine edge detail or areas of transparency.

That being said, the footage is nevertheless beautiful. And I suspect this technical point should not be an issue for most people considering buying the Canon 70D. The CR2 (camera raw) files are not at all affected by this, it's a factor limited to the HD video.

Click Here For Most Helpful Customer Reviews >>

Nikon D5200 24.1 MP CMOS Digital SLR with 18-55mm f/3.5-5.6 AF-S

Nikon D5200 24.1 MP CMOS Digital SLR with 18-55mm f/3.5-5.6 AF-S DX VR NIKKOR Zoom Lens + Nikon 55-200mm f/4-5.6G ED IF AF-S DX Zoom-Nikkor Lens + TWO EN-EL14 Replacement Lithium Ion Battery w/ External Rapid Charger + 32GB SDHC Class 10 Memory Card + 52mm Wide Angle / Telephoto Lens + 52mm 3 Piece Filter Kit + Mini HDMI Cable + Carrying Case + Full Size Tripod + SDHC Card USB Reader + Memory Card Wallet + Deluxe Starter DavisMAX Bundle
Customer Ratings: 4.5 stars
Buy Now
I can't speak for either of the other reviewers, but mine was a direct import or "gray market" body and lenses. That means Nikon won't warranty anything and will never do any warranty work either. DavisMAX offered me a 3 year 3rd party warranty or a refund. They said that the reason they sold me a "gray market" camera was because they were out of stock. They should more clearly state that the manufacturer's warranty won't be available.

Click Here For Most Helpful Customer Reviews >>

Fujifilm XF 14mm F2.8 Lens Wide Angle Lens

Fujifilm XF 14mm F2.8 Lens Wide Angle Lens
Customer Ratings: 5 stars
List Price: $899.95
Sale Price: $899.00
Today's Bonus: $0.95 Off
Buy Now

Fujifilm has been on a roll lately and if you're looking for proof, look no further than this lens. I own this lens and the 35mm f/1.4 for my Fujifilm X-Pro1. Everything from the all-metal build to the precise feel of the focus and aperture rings helps justify the $899 price tag. I find it to be very sharp at f/2.8 and extremely sharp at f/5.6. Even the corners at f/2.8 are impressive for a wide angle lens. Focus speed is quick and unlike the 35mm lens, the 14mm focuses internally, so the front element doesn't move in and out. It seems a bit quieter than the 35mm as well.

I previously used Canon equipment, but last year when it came time to upgrade, I noticed some alarming trends in Canon's business model... New lens designs were very expensive for their specifications and bodies had sensors that underperformed relative to the competition. The Fujifilm X system is still relatively new, but if this lens is any indication, it will be a winner.

Highly recommended!

Click Here For Most Helpful Customer Reviews >>

Sealife DC1400 Pro Digital Underwater Camera Set SL725

Sealife DC1400 Pro Digital Underwater Camera Set SL725
Customer Ratings: 5 stars
List Price: $829.95
Sale Price: $499.00
Today's Bonus: 40% Off
Buy Now

I purchased the DC1400 a few months ago for our trip to Grand Cayman, with the intention of trying it out before I went diving. Well that didn't happen. I basically took the camera out and just used it, only reading the instruction manual. The camera takes awesome photos. I did over expose some of the photos because of having the strobe on "A". Once I dialed it down to the 1-2 setting it worked great. I also used the video feature and it worked great. I would recommend this product to anyone who scuba dives. The camera (without strobe) worked well for snorkeling.

Click Here For Most Helpful Customer Reviews >>

Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras

Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras
Customer Ratings: 5 stars
Buy Now
The reviews of the 50mm f/1.2L are useless. All you hear is "Spend your money on the 35L or 85L instead" or "the focusing issues make this lens unuseable". But something makes me think that people are just writing reviews based on what other people have said without actually ever using the product.

If you ever want to shoot snapshots of downtown without a flash at midnight WHILE walking, this is the lens to have. I'm so in love with this lens.

Pros:

* It's completely silent. Quieter than the f/1.4

* It has no problems focusing in the dark

* It's highly useable at f1.2

* It's sharper than the f/1.4

* Colors are more saturated than the f/1.4

* Images taken with this lens have higher contrast than the f/1.4

* It makes the f/1.4 feel like a hunk of plastic

* It comes with a hood

Cons:

* It costs 4 times more than the f/1.4

* It costs 18 times more than the f/1.8

Pros:

* You can comfortably shoot under conditions that would make the f/1.4 nervous.

* Produces a much higher yield of useable photos

* Aesthetically, it's the coolest looking lens I own!

For those who are concerned about the "back focusing" issue, I will let you know that I haven't experienced any backfocusing at all. I've let others shoot with it, wide open, within low-light environments and even the non-photographers were able to focus/shoot accurately.

This is my review from my non-scientific, real-world, situational testing.

Click Here For Most Helpful Customer Reviews >>

MyStudio® MS32CYC-2 Professional Tabletop Photo Studio Seamless

MyStudio® MS32CYC-2 Professional Tabletop Photo Studio Seamless Cyc Dual Background Set for Product Photography, 64x32x16 inches
Customer Ratings: 4.5 stars
List Price: $549.95
Sale Price: $414.95
Today's Bonus: 25% Off
Buy Now

I had been looking for a review of this product for some time but found very little first hand experiences shared on the net. Therefore, I was on the fence about spending $250 for a piece of plastic. But since Amazon is the seller and will take it back if it doesn't work, I decided to go for it. I am an active seller of cameras and other small items on auction sites. My goal was to be able to easily make professional looking presentations of my items for sale. Up to now, I had been using a product called d-flecta, which is a seamless white background made by some kind of coated paper.

MyStudio is one big seamless piece of plastic. It arrived in a huge box. You get nothing else, no instructions, no nothing just the background. I must say that in only a few minutes, I was getting very pleasing results. The d-flecta always had plenty of hot spots from the flash, or other distractions that were a pain to have to work around sometimes. But MyStudio seems to work much better. Usually all I have to do is maybe turn up the exposure a little bit when I do my edits, and I am done. The MyStudio32 is plenty big enough for my purpose cameras surrounded by their accessories and packaging. It seems durable enough to last for years. If you are creative, there are probably a million fun things you can do with this product. But for me, it is a great time saver, and makes my product shots look professional and pleasing. Well worth the money. I recommend this product without hesitation.

Click Here For Most Helpful Customer Reviews >>

Panasonic TC-P65VT60 65-Inch 1080p 600Hz 3D Smart Plasma HDTV

Panasonic TC-P65VT60 65-Inch 1080p 600Hz 3D Smart Plasma HDTV
Customer Ratings: 4.5 stars
Buy Now
Caution: What follows is a long-winded review, read before bed time if you are having trouble falling asleep! ;-) Happy reading.

For those looking for a "Readers Digest" version of the review overall I am extremely satisfied with the VT60 picture quality and features. IMHO, it lives up to all the hype, and the Value Electronics shootout experts picking it as the "top dog" in Plasmas is warranted it beats out any other plasma I have owned or seen and it is a lot bigger at 65" to boot! The only other plasmas, or any TV for that matter, that are on the same level as the VT60 are the Panasonic ZT60 and Samsung F8500, and if these sets are better than the VT60 it is not by much. Now, on to the details...

First I am *not* a true "videophile" but I do have a long history with plasmas, and purchased my first two plasma TV's way back in 2003. They were both Sony's (a 42" and a 32") and they were both built like tanks. I still own both today and use them daily, with the 42" in my family room and the 32" in my shop. They both also still display a wonderful picture 10 years later, and they were one of the best TV purchases I have ever made! I also currently own a Sony 46" Bravia LCD I purchased about five years ago (our bedroom TV) another wonderful TV. I also own a couple of smaller TV's

I have owned the VT60 for 2 weeks now as of the date of this review. I spent about 8 weeks debating, comparing the 65" VT60, ZT60 and the Samsung F8500 64", with many trips to electronics stores where I could commandeer the remotes ;-) and spend time with different video sources comparing the sets. (nothing worse than comparing the TV's in the Standard and Vivid modes the retailers use on the floor). Note I also recently purchased a 65" Samsung 7000 LED from Costco about 12 weeks ago, but that set was returned as I was not at all satisfied (to put it lightly) with the picture quality, the contrast, and overall viewing experience. I always seemed to be "messing" with the picture settings on the LED when changing viewing content, I could never get it right as what worked well for one channel / show did not hold true for others... I have read how others have the same issue.

There are still times that I wish I would have purchased the ZT60 for ~$500 more, as there is a little glare on the VT60 compared to the ZT60 when viewing during the day. Those looking at the VT60, you may have read that there is a little glare in brighter environs, and it is true. Whether it is beyond your tolerance is personal preference; my viewing room is not overly bright and it is within the tolerance level for me, though sometimes I still notice it. If you have an overly bright viewing room, take a more critical look at the Samsung F8500 plasma or the Panasonic ZT60 plasma as they are better for brighter viewing locations.

What did I think of the VT / ZT compared to the new Samsung F8500 plasma? Bottom line for my eye (and YMMV of course) the Panasonic was just more pleasing to the eye on displaying the "blacks", and appeared to have better contrast and color transitions than the Samsung series. I know the Value Electronics shootout "audience" chose the F8500 as the overall top pick, whereas the "experts" picked the VT60 as the top dog which illustrates that BOTH are great displays, and that it is a tough choice for anyone comparing the two. Note that in all cases in the VE shootout, the Panasonics won on contrast, black levels, motion viewing it was the brightness feature that put the Samsung F8500 over the top as it was markedly better. For me, I think the contrast / black level rating should have been weighted more heavily in the final tally, but that is just me if it were then the Panasonic would have won hands down, even in the "audience" vote as the results were virtually a tie as it stood.

Now on to more detailed observaations on the VT60:

Packaging:

The VT60 is packaged VERY well. The box is huge, and there are thick Styrofoam inserts inside the box holding the TV, and a lot of space between the TV and the side of the box. As a result, the box weighs around 140lbs with the TV inside. Panasonic did a good job of giving this box adequate protection! (not all TV's do). By comparison, the 65" Samsung LED set I returned to Costco the VT60 box dwarfed the Samsung LED box, and the Panasonic had higher quality packaging materials and heavier cardboard IMHO.

Construction of the VT60:

The older plasmas are thicker and heavier, but these days they have thinned them down and made them more streamlined. In addition, the back panel of the VT60 is not plastic like many of the TV's sold today it is metal and very substantial. I appreciated this, the 65" Samsung 7000 LED was plastic and I seem to recall the F8500 was also. Although the plastic construction lightens up the weight a bit on other models, I prefer the metal / solid construction of the VT60 plasma.... I guess I am just old fashioned and appreciate things built more solidly. Also, the stand is heavy, solid and substantial. The stand does NOT swivel, but this was not important to me due to the configuration of the room where it is set up. It is made of high quality stainless and holds the TV well. Mounting the TV into the stand requires two people for the 65" and probably the same for the 60". You could probably do it alone in a pinch, but having two people reduces the stress level when attempting to insert it into the stand!

The VT60 "look and feel" is not flashy / sexy IMO, it is simple, unassuming and pedestrian. The silver bezel around the edge is a nice touch, and overall I prefer the toned down look and its simplicity.

Installation / Setup:

As with most TVs these days, and due to the HDMI cables of today, the setup / cabling is a breeze. I run all of my optical / sound cables directly from the device to the AVR, and have one Optical Out coming from the TV for watching Over-the-air signals, and for the Smart TV menus / streaming. My AVR does not have HDMI inputs, as it is an ancient Denon 2800 (I need to upgrade ;-)) so I have to route all of my devices HDMI directly to the TV! Thus, I wish the VT60 had more than 3 HDMI ports as I am one with too many devices don't most of us but for many of those that do not have "too many" devices it won't be an issue. Five would have been better, but I make do.

The setup of the TV on initial start up was easy although I did not have my wireless keyboard at that point and entering in the data for things like the WEP wireless key (25 characters) was a pain with the included remotes. (See the remote critique below I am not a big fan so far of the included remotes I already purchased a wireless keyboard, and plan on upgrading my universal remote).

Picture Quality:

In the 2 weeks of owning the VT60, I have viewed a good degree of varying content to make an assessment of picture quality. I have watched three 3d movies Avatar, Avengers and Toy Story ; viewed various sporting events including around ten (or so) baseball games on ESPN, WGN and more, watched the Stanley Cup Game 7 recorded from DVR, watched Game 7 of the NBA finals recorded on the DVR, soccer, etc. I have watched Bluray movies of different titles, older 480p titles like Rocky, Groundhog Day and more. I have watched Discovery, Science channel for many hours, shows like Deadliest Catch, Storage Wars, Pawn Stars, Through the Wormhole, cartoons (with my boys), cooking and home improvement shows, and more. We are a TV watching type of family, and we view many types of shows to put the TV through its paces We have nearly achieved the 100 hours of "break in time" called for with the VT60 we are enjoying it, plus the boys are on summer break and the TV is on at least 6-7 hours a day whether watching movies, playing the PS3, etc. The novelty has not worn off yet I guess! Here is what I have found:

Picture Settings as recommended in many forums, I have been using the THX Cinema picture setting and think it produces the best overall picture for all content I view. During the "break in" period I am leaving the contrast, color and brightness at the default settings, or very close to it. I am not running any break in "slides" and do not plan on having the TV professionally calibrated I am just planning on *maybe* running the THX optimizer at a minimum at a later date. YMMV.

Brightness the biggest "knock" on the VT60 by the critics is regarding the brightness of the VT60 it is not "knock your socks off bright" but from my experience, that is like most plasmas. That is the big selling point on Samsung's F8500, it is a bright plasma. However, most plasma's today have had the same characteristic, and for my taste this is not an issue compared to the overly bright LED displays, I appreciate the muted, more realistic look of the plasma, even if they are a tad dimmer. Others may find it not to their liking, especially if it is your first plasma, but it depends on the person. To me, again, the brightness is fine. The best combination of brightness / contrast is found using the "THX Cinema" or "THX Bright Room" settings other settings like "Standard" don't give as much brightness. As mentioned above, I would recommend leaving the TV set at THX cinema setting as that is touted as giving the best overall picture for all content.

Contrast As advertised, VT60's contrast is top of the heap. The color transition and sharp edges are incredible. Bright colors next to more muted colors are well discerned, and it has no trouble delineating / separating deep reds right next to dull grays. The Value Electronics plasma shoot out rated the VT and ZT series TV's as the best contrast in the industry, and you have to see it for yourself to believe it. It is better than any TV I have ever owned, and probably as good as any TV I have ever viewed.

Black Levels This is where the VT and ZT series shine. The black levels are astounding. The 65" Samsung LED I returned absolutely failed on the black levels, and by comparison the VT60 is light years ahead. One unforgiving test of the black rendering is on the Discovery Science channel; the show "Through the Wormhole" with Morgan Freeman, it often shows him in a dimly lit room with different shades of black shadows where he is wearing a black suit. That scene is a test for a TV's ability to render the black levels, and the 65" Samsung LED butchered this scene, with "pixelated" / washed-out blacks and all sorts of choppiness. It was awful. But the VT60 has no issue rendering this scene you can pick up the different shades of black in the shadows, and they contrast with the black suit he is wearing very well. The VT60 also does a much better job on this than the two other plasmas I own it is very evident. The hype about the black level rendering of the VT60 is living up to expectations so far...

3D Quality granted, it is not IMAX, but if you choose titles filmed in native 3d (like Avatar) my guess is you will be quite pleased with the 3D experience. Avatar was awesome in 3D... period. Note that not all movies being sold as 3D movies were shot "natively" in 3D many like Jurassic Park, Transformers and many more were shot in 2D and then re-produced to add 3D effects. Not the same thing, and some are not happy with those titles. Do a Google search on this topic (real vs. fake 3d movies) and you will find a lot of information. Overall, I am very happy with the 3D capabilities of the set again, 3D was not the major deciding factor on the VT60, it is more of a bonus to me as picture quality trumps all... the fact the 3D works well and maintains an awesome picture whilst doing so is very nice!

The bottom line I bought the VT60 for its touted Picture Quality that was the MAIN factor in my decision. And it has not disappointed what an awesome picture! Things like Smart TV features, camera, etc were secondary in my decision.

The Remotes / Peripherals, 3D glasses and Camera:

The Panasonic comes with two remotes one remote that is more for using for all the TV functionality, and one smaller remote that has a track pad that can be used for the smart TV interface, etc. I am not overly excited about the remotes one might want to consider getting a high quality universal remote paired with a wireless keyboard instead. The larger remote does not have the ability to control your other peripherals like other TV remotes do, and the smaller remote I found to be not so great IMHO. During setup, when tying in your information and especially the 25 character WEP keys, a wireless keyboard is better served. I bought a Logitech wireless KB to use with the VT60, and happier with that for navigating the smart TV features. The camera is OK, and the facial recognition is working, but I am realizing the camera is something I probably won't use much at this point.

The included 3D glasses (two pairs) are of good quality, and work well. If you have to buy more Panasonic 3D glasses, be aware they are expensive I would recommend alternatively purchasing the Samsung 3D glasses instead for $20 if you need more. (the Panasonics can cost as much as $70). We have two pairs of the Panasonic glasses, and two pairs of the Samsung and both work well. One thing about the included battery with the Panasonic the battery that came installed in the glasses died during the first 3D show after about an hour so the included battery was either weak or low quality. It happened with both sets of glasses. However, after installing a Maxell 2025 battery in each, they both have lasted through three 3D movies, and are still more than 80% full... so just be ready to have some spare batteries on hand for the glasses. Overall, the Panasonic 3D glasses work well, are highly rated and I am satisfied with the experience.

Smart TV Features and Navigation:

If I had to sum it up, I would give a 6/10 so far for the Panasonic Smart TV interface and more importantly the "navigability" of the interface. For the most part, it is satisfactory, but there is still major room for improvements. Apparently, the Web Browser was not complete when they released the TV you will have to see for yourself what I mean! For instance pressing the "Help" feature came up with a dialogue "To be released later, under construction" or something to that effect. In other words, the TV's help feature is still being worked on note I do have the latest software updates and all. Plus, the Web Browser is, for all intents and purposes, kind of painful to operate. It is very easy to "accidentally" hit the edge of the picture when trying to scroll with the scroll bars, and this results in the "hyper scroll" feature to kick in, basically frustrating you as the scroll kicks into hyper-drive and messes up the location where you are viewing. Plus, things like weather.com if you try to click on the Doppler map, it tells you this feature is not supported. Finally, the interface crashed numerous times, especially when trying to view pictures / enlarge things at Costo.com. There is more, but some of the reasons I think they can do a little more development / refinement of the Smart TV interface, and get something released hopefully soon.

The access to Amazon, Netflix and more is well laid out and easy to use. The responsiveness / speed of the internet is adequate I am running the TV wirelessly and do not have any issues with the speed / responsiveness to date. So that is good...

The "Break In" Period (first 100 hrs):

There is a lot of debate on whether there is a true "break in" period for TV's, especially plasmas, and what you read on the "experts" forums and what you get back from Panasonic can be very different at times. To calibrate or not to calibrate? That is up to you and your comfort level. Realize most casual viewers don't and won't, but others swear by it. I made the decision to just follow some simple rules during the first 100-200 hours of viewing, and NOT to calibrate my set. (other than maybe running the THX optimizer at some point). Do your own searches on this topic, make your own assessment and decision the "right / wrong" arguments on this topic are not scarce. Do I think that the RIGHT professional calibration could squeeze out the extra 10% of picture quality out of the set? Maybe... but I am not sure I want to spend the $$ to find out. And I don't think I will regret that decision... YMMV.

That being said the simple rules I am following during break in:

I am not watching content for extended periods that has the black bars / letter box (aka 4:3 SD, 2:35:1 movies, etc). If it is letterboxed, I just fill the screen with Zoom or Just or whatever works.

I am avoiding channels with a large degree of "crawl" on the bottom of the screen, and shows / games that have a lot of static content. Plus, I am being careful not to leave the set on for extended periods with static menus / content. (it can be a challenge with two 13 yr old video game players as some of you know but they seem to get it).

I have only allowed a couple of hours total of video games due to their high degree of potential static content my boys are dismayed but they will live!

Finally, I am leaving the contrast, brightness and color settings pretty close to the default. I am using THX cinema, and to be honest the default settings for this still throw up one heckuva picture, and do not need that much tweaking IMHO.

Other than those simple rules, I am enjoying the set and not worrying to much about things like the "History" channel logo, commercials with black bars, shows that have the dreaded crawl as long as they are not constantly on...

In summary, every test I have thrown at the VT60 whether it is viewing cable TV, playing older 480p movies, playing Bluray, viewing 3d or even when my boys use it for gaming the VT60 never fails to impress and has passed with "flying colors" (pun intended!). I continually marvel at the quality of the picture, and compared to the Samsung 7000 series LED I returned in favor of the Panasonic, I could not be happier with that decision. There is no comparison; the Panasonic plasma just plain smashes the Samsung 7000 series LEDs in every aspect of picture quality, and it will do the same to many of the other TV's on the market. Comparing the VT60 to a Samsung 7000LED is probably not a fair comparison, but just offering that as a data point. But then again, the Samsung was still $2600 new... so you be the judge.

Would I recommend the Panasonic VT series, and would I buy it again? Most definitely. But take the time and decide for yourself, as the ZT series and F8500 series are also great TV's.

Thanks for reading!! I hope this helps you in your purchasing decision.

Click Here For Most Helpful Customer Reviews >>

Night Owl Security APOLLO-45 4-Channel H.264 DVR Surveillance

Night Owl Security APOLLO-45 4-Channel H.264 DVR Surveillance Kit with 4 Color Indoor/Outdoor Night Vision Cameras and D1 Recording
Customer Ratings: 4 stars
Buy Now
Setup all 4 cameras around the house. Colors are not very realistic but ok for surveillance purposes. Motion recording works good and it has captured several critters walking around in my yard I didn't know about! Networking access works well and I've opened ports on my DSL router to allow access to the cameras and recorded video from anywhere (internet explorer needed some tweaking added the ip of the DVR to trusted sites list did the trick).

Apps for my iPhone and android phone work good as well and I can view live cameras from my phone anywhere (required some tweaking on the dsl router as well).

All said and done this system is good for the price. I got the extended warranty as I've heard the cameras don't last too long? Time will tell.

Click Here For Most Helpful Customer Reviews >>

Konova Radial Dolly for Dslr Camera Circular Motion Table

Konova Radial Dolly for Dslr Camera Circular Motion Table Shooting
Customer Ratings: 5 stars
Buy Now
Let me start off by saying I've been skeptical of tabletop and floor dollys before which is why I hadn't purchased one. My experience came from using a friend's Pico Dolly and finding that I didn't enjoy the quality of it or the precision required to use it. It always felt like it required a lot of setup for a shot that could be replicated very well using a simple slider. To sum it up, I was wrong, and the rest of this review will tell you why. If you've been in the market for a tabletop/floor style camera dolly then I would highly recommend reading my review and considering purchasing the Konova Radial Dolly yourself.

The Radial Dolly itself comes in a nice padded case similar to the K3B2 camera slider. In it comes the dolly itself and a small keychain laser with magnetized mount (I love lasers!). The Konova Radial Dolly has the same 3/8 inch tripod screw mount as the K3B2 so I can swap my Manfrotto 701 tripod head easily between the two pieces of equipment. In the future I plan to purchase another 701 head to speed up time when on shoots.

The Radial Dolly itself is incredibly well built with the entire base machined from one solid block of aluminum. The wheels are of the high quality type you would find on a set of roller blades, with very nice ball bearings making it roll smoothly. Be warned, if your dolly is on even a slight incline it will begin rolling if you don't have the brake set. And yes, the dolly has a brake! It's a little pad that is lowered by a set of screws making it easy to keep the dolly stable while you are mounting a camera to it, making adjustments etc.

Speaking of adjustments, the dolly makes it easy to replicate shots by having all three wheels rotate and lock in independent directions. Like the tick marks on the K3B2 slider, each wheel has 360 degree markings so you can set it for consistent rotation. This is incredibly helpful when on a video shoot and you need to repeat a shot in different locations, each time you can set the wheels to the same settings. The entire base plate is also adjustable so you can set it to the proper level if the ground is uneven.

By far the coolest thing about this dolly is the laser and mount that come with it though. The mount can be magnetically set to 6 different areas on the dolly, depending on the direction the dolly is facing. Once set, the mount can hold the pocket laser in the on position so it can target whatever you are rotating around to ensure it stays on target the whole time. This is incredibly useful for ring shots etc. when you need to keep it in the same spot in the frame the whole rotation.

With all these pros, the Konova Radial Dolly still comes with a con that is present in all tabletop dollys and others that do not use an actual floor track. The dolly shot itself will be as smooth as the floor. This means you should follow one of the cardinal rules of cinema and make sure you do your location scouting beforehand. Will the location have a smooth floor or table you can use? In my month of using the dolly, with proper scouting I was always able to find a good place to use it. I'm even considering bringing a board or other flat material to shoots so I have a guaranteed way of using the dolly.

In the review video, you can watch how I used this dolly in many real world scenarios. I wanted creative shots of dance floors, reveals at wedding receptions, and a creative ring shot with candles in the background. All of these shots weren't possible if I didn't have the dolly.

The Konova Radial Dolly is very useful when you need a specific shot that isn't possible with other camera equipment. I'm very happy to have it in my arsenal and you can expect to see more shots used with it in my future films.

PROS

-Heavy duty aluminum construction

-Super smooth wheels

-Laser targeting system

CONS

-Like all tabletop/floor dolly's you need a very smooth surface to get smooth motion.

5 STARS

Click Here For Most Helpful Customer Reviews >>

GoPro HD Surf Hero

GoPro HD Surf Hero
Customer Ratings: 4 stars
Buy Now
This is close to being a perfect example of a wearable/mountable POV camera. But unfortunately, close isn't quite good enough.

The pros:

Video is awesome, in all of the modes.

Stills are very good quality, the timelapse feature is fantastic.

It's waterproof.

The mounting options are (almost) limitless.

The cons:

It's awkward to set up. Menu is like something from 20 years ago.

Firmware issues have yet to be addressed by the manufacturer. This is inexcusable as the camera has been available for sale for nearly a year.

Audio is useless. They could have saved weight and cost by just not including a mic. The only instance where it even sort of works is when mounted right near a loudish sound you want to highlight, such as an engine.

There are too many instances where "Macgyvering" is required to get the desired result. The quick release mount rattles so you need to tape the base plate, the non waterproof back allows too much wind noise, so you need to tape over the openings, the shutter button rattles, so you need to tape over that. Moral of the story: BUY TAPE.

The support by the manufacturer is not quite adequate. I realize it's a small start up company, but for all the issues with the use of the camera and the handling/editing of the files, they really need to release some conclusive videos or articles to address these concerns.

People who might find this camera useful:

Auto racing enthusiasts

Mountain Bikers

Sailors

Hobbyist videographers looking for those unique shots

People who will likely be disappointed and frustrated by this camera:

Pretty much anyone who thinks they'll be using it as a camcorder.

People who aren't really tech savvy and/or have an older computer

People who don't like to tinker and engineer solutions to make it do what they want.

******UPDATE******* ******UPDATE******* ******UPDATE******* ******UPDATE******* ******UPDATE*******

As of September 7, 2010, Gopro released the new firm ware for the camera. It seems to have fixed most of the bugs/issues. It also provides the option for upside down mounting.

Click Here For Most Helpful Customer Reviews >>

Sunagor Mega Zoom Binoculars 30-160x70

Sunagor Mega Zoom Binoculars 30-160x70
Customer Ratings: 3.5 stars
Buy Now
I have a pair of these particular binoculars so I know what I'm talking about when I say that they are absolutely brilliant and unbelievably powerful! I originally read up on Sunagor who are well known for quality ultra powerful binoculars in Europe and this is their top model and apparently the world's most powerful. With a zoom magnification of 30X going up to 160X, I reckon that's true there's nothing else I've seen out there that offers this amount of power and they are capable of viewing over huge distances.

They are beautifully made (Japanese) and have those higher grade bak-4 prisms with multi-coated lenses. The objective front lens size is 70mm so although these babies are a fair size, they're manageable. I use a tripod with them at the higher magnifications because it's pretty difficult to handhold them steady at 160X. They actually come with a tripod adapter for that purpose. What I will add is that to compare a pair of regular 20X70 binocs to these Sunagor Megazooms is like comparing a regular car to racing car. Try them and you'll see what I mean.

Click Here For Most Helpful Customer Reviews >>

Sony NEX-5N 16.1 MP Compact Interchangeable Lens Touchscreen

Sony NEX-5N 16.1 MP Compact Interchangeable Lens Touchscreen Camera With 18-55mm Lens
Customer Ratings: 4.5 stars
Buy Now
(Minor updates below added in June 2012). I bought the NEX-5N in mid-October 2011 just before a trip to Europe. The bottom line: it takes superb photos without flash, especially in truly adverse lighting conditions (wine caves 1,000 years old, for example). As others have written, the camera with the 18-55 zoom takes extremely high quality photos there's no quality penalty to get the benefit of the small size and light weight vs. a top DSLR. So I think it could be used happily by both people trading up and people trading down. But the camera does have quirks, some serious. Many other reviews cover the overall high points of the camera, so I'll focus on a few review elements I think need reinforcement.

The NEX-5N has a full auto mode, but I hope most buyers will take the trouble to learn the camera's full capabilities, because the camera can produce some amazing photos once liberated from auto mode. However I have to say that the learning curve is steep, not just because the camera has a lot of capability, but also because the user interface is a real pain in the neck until you adapt to it. The lack of dedicated controls, a consequence of the small size, creates a lot of complexity in daily use.

Here's a specific example to illustrate some of the potential frustrations. The camera can take an auto-HDR (high dynamic range) photo. It will instantly merge three shots that it auto-brackets (in steps you specify) to yield a picture that would take several minutes to produce if you had to merge three shots yourself using editing software. Great ability, but here are the steps if you haven't customized the menus: 1. turn off raw if you were using it, which requires at least 3 menu presses. 2. press menu again and select the "brightness/color" controls. 3. scroll to and select DRO/Auto HDR. 4. scroll to and select HDR. 5. if desired, press "option" and then change the HDR exposure differential for bracketing (ranges from 1 EV to 6 EV). 6. Press OK twice. In total, you have to go through 6-9 key presses to get the camera ready to take an HDR photo. Then to go back to normal shooting, you have to go through all the steps over again. Your subject has to be no livelier than a sloth to allow this to work out.

You can avoid many of those steps by customizing the menu buttons. This requires first understanding what the camera can do and how you will use it, which will realistically take a few days of experimentation. Then you have to futz with programming the menus for a while until you have the customization set the way you want it. Then you have to get used to the new customized menus. In other words, there's a steep initial investment to get usable access to all the power the camera possesses. Most DSLRs have serious learning curves as well, so to me this isn't a reason to avoid the NEX-5N. But it is something to be prepared for. I found that I was taking low-light photos that I couldn't have taken with any DSLR I'm familiar with, so I ended up being quite happy with the camera, but I did some cursing at it before I got to that point.

The best features:

1. Extraordinarily good native low-light capability, plus several modes that enhance that underlying natural capability of the camera and lens: examples include hand-held twilight mode, anti-blur mode, auto-HDR, and dynamic range optimization. All four are different. It really benefited my photos once I figured out how those modes differ and when to use them. My shooting may not have been typical -I was spending hours a day in ancient wine cellars, gothic cathedrals, and the like, but even for snapping a low-light shot in a restaurant with friends (no flash), the camera was great.

2. The size and weight are unbeatable. I bought a Kata Grip-10 DL camera bag, which on paper was supposed to be a skosh too small for the camera, but it worked out perfectly. I could wear the Kata bag on my belt, zipped closed with camera inside, flash attached, a spare battery, spare SD card, and the "raincoat" that shipped with the Kata bag, all fairly inconspicuously.

3. The tilt screen makes a real difference.

The features the jury is still out on:

1. The detachable flash was on my list as a problem until I actually used the camera. The last two weeks I left the flash attached all the time and that worked fine, although I found I almost never used the flash. When I did use it, it overexposed the main subject almost every time, so I dialed back the flash output slightly. Once I get the optional viewfinder, I think I'll be able to put the flash aside and not miss it much.

2. Movies. I am not a big movie shooter so this was not a critical item for me. I hoped I would receive a camera after the "clicking noise" was fixed in manufacturing, but no, mine does click during video recording. Sony is kidding themselves if they really think the clicking noise only occurs when people are moving the camera in an unnatural way. It's almost constant. But I will send it in and from all I've read it will be fixed quickly, and the newer units supposedly won't have the problem. So I'm not agonizing about that. UPDATE: I originally wrote that I couldn't get large movies shot in AVCHD mode to transfer to a computer using Windows 7, and when an SD card that contained a mix of AVCHD movies and stills got close to full, the stills wouldn't transfer either. I didn't lose any pics or video but I worried. Updating -since my original post, this problem seems to have gone away. It's possible that there was a hardware problem with my built-in card reader, which got swapped out during a computer repair and now transfers seem to work ok. Since I didn't see others reporting the same problem, I assume the hangup was at my end.

3. The LCD screen on its default setting ("auto") is hard to see in bright sunlight, BUT there is a setting you can scrabble your way to with many clicks that will brighten it significantly. This setting makes the LCD usable even in bright sunlight, but it also messes up the color rendition of the LCD, adding an orange hue and oversaturating the other colors. It also seems to drain the battery at a vigorous clip. So there are two approaches you can use: turn on the super-brightness setting just for the key times you need it and then remember to turn it off again, or buy the apparently wonderful EVF viewfinder (for more than three bills!) and use the LCD much less overall. I haven't tried the viewfinder yet but I'd like to. It eradicates a lot of the price advantage of the NEX-5N vs a DSLR, however.

The features that are not so good:

1. Focus can be slow in low light. That's largely due to the lack of phase-detection focusing, which isn't easily addressed in this type of camera. The focus-assist light eventually gets it right almost every time, but it might take a second or even two.

2. If you set the camera to Auto-ISO, you can't control the highest ISO the camera will use. It will range up to ISO 3200. It's great that the camera takes pretty clean shots at ISO 3200, but that's no excuse for omitting a way for the photographer to limit the top ISO to a much lower number if he or she needs lower noise. Even many inexpensive cameras offer that option.

3. Menus are complex and cumbersome and require lots of clicks to change settings, as previously described. In addition, by default the camera is set up to provide "advice" every time you click a menu key, overlaying your menu choice with a paragraph of information you didn't request. This is helpful for about three minutes and is then a big pain until you figure out how to turn it off.

4. The shutter makes the same sound as a DSLR and can't be changed, so there's no shooting stealthily. Since there's no mirror to make a slapping noise, I'm not sure why the shutter is as loud as it is. I wish Sony would change this if possible.

5. The touch-sensitive screen is, in my opinion, a failed opportunity. It's way too easy to touch something by mistake and change a setting inadvertently. On a small pocket snapshot camera, touchscreens may be useful. And in theory the touchscreen could be good on the NEX-5N too, I suppose, but I found it messed me up, so I turned off the touch capability. You may be more dexterous than I am so this may not bother you.

6. The only thing I missed by deactivating the touchscreen was the "touch to focus here" capability. That was good when I meant to use it, but also terrible when I didn't mean to use it. Linked to that issue: focus tracking. Sony advertises that the NEX-5N will track a moving subject once you touch the spot on the LCD screen you want it to track. But it doesn't work. It just makes the focus jittery and unpredictable. The focus will not reliably track anything. Sony should have improved that before going live with it. The concept is great.

6. The movie mode button is badly positioned within a hair's breadth of where your right thumb, or sometimes part of your right index finger, can rest on the camera. I recorded at least ten unwanted movies a day just brushing the movie button without meaning to. The biggest problem this created was that when I went to press the shutter to take a still photo, nothing happened. Only then did I realize the camera had been recording my useless mutterings for the last three minutes. So I lost a few still shots from having to stop the movie recording and get back to stills.

7. Minor points: the default settings for DRO and HDR are too weak to make a difference, so at first those look like failed offerings. But they just need to be tweaked to a stronger setting and they work fine.

8. Update: My son owns a Canon T3i so we've compared pictures taken with the two cameras, although not in any truly rigorous way. The Sony NEX-5N build quality is higher than the T3i (less plastic), the rotating barrel feels more solid, and mostly importantly, the resolution of the Sony seems better. If you read online lens reviews, the Sony 18-55 kit lens seems higher quality than the kits lenses that come with even DSLRs costing a lot more.

Summary: While the list of negatives I've enumerated seems long, on balance I think the strengths of the NEX-5N substantially outweigh the weaknesses. In the world of ILC cameras, the NEX-5N seems to be in a league of its own when it comes to pure image quality. To a serious photo enthusiast or professional, image quality is where everything starts and ends. The NEX-5N takes exceptionally high quality photos, especially in low light. The NEX-7 has additional strengths including even higher image quality in good light, but apparently doesn't quite match the NEX-5N's low noise in low light according to other reviews, and it costs a lot more. I'm happy with the NEX-5N.

Click Here For Most Helpful Customer Reviews >>

Samyang SY75MFT-B f7.5 Lens for Micro Four Thirds

Samyang SY75MFT-B f7.5 Lens for Micro Four Thirds
Customer Ratings: 4.5 stars
List Price: $349.99
Sale Price: $288.70
Today's Bonus: 18% Off
Buy Now

Not everyone need a fisheye. Foe me it is more a fun lens than a serious optical instrument.

When I got this little guy from Samyang, I was really surprised at how good the image quality is.

The build quality is very good , tight fit and smooth operation. Focus is a little fiddlely, but set at f5.6 infinity, it is pretty sharp all the way. Out doors , it becomes an ultra quick point and shoot, no focus lag at all. Perfect for arms out self portraits if framed correctly.

The distortion from a fisheye is expected, and can be used creatively for dramatic effects. Compared to my 7-14, it has almost as good sharpness and color rendition, but in a smaller and lighter package. The 7-14 is also quite wide but a more serious rectalinear lens and usuable under more situations and much more expensive.

Panasonic also make an 8mm fisheye at double the price ( have not tried) and My favorite is the DX Nikon 10.5 fisheye for Nikon DSlrs. This little guy on a GH2 will make fantastic GoPro style videos ( not water proof though)

The lens also come under other brand names like Bower and ProOptic. And looks more serious without the silly red stripe. Recommended......

Click Here For Most Helpful Customer Reviews >>

Panasonic Lumix DMC-FZ60 16.1 MP Digital Camera with 24x Optical

Panasonic Lumix DMC-FZ60 16.1 MP Digital Camera with 24x Optical Zoom - Black
Customer Ratings: 4.5 stars
List Price: $349.99
Sale Price: $326.38
Today's Bonus: 7% Off
Buy Now

I have had my DMC-FZ60 for about three weeks now. I am a Panasonic user, and have bought many of their pocket cameras for the family. I also own a Cannon T50 SLR with three lens, some Sony's and others. I previously owned the Panasonic FZ8, prior to getting the FZ60, which is a major upgrade in my kit. The FZ8 has taken thousands of great pictures, and is now in the hands of my college nephew, being put to good use in the field.

I have taken several sets of picture themes, Sports (football, motorcycle racing), indoor, video outdoors, scenery and sun sets. Of the 300 plus pictures taken only four were blow due to poor focus or exposure. I believe one was my fault, being to quick with a pan shot.

The football shots were shot in good light during the day. Exploiting the massive reach of 600 mm lens to the wide angle of the 25 mm lens created some stunning shots. I captured burst shots from 70 yards with great clarity, also capturing a panorama of the entire field from the bleachers at mid field that was stunning and perfectly stitched together. The 16 MP MOS sensor is a huge improvement over the 7mp I had before. Only issue noted was the limited number of shots in burst mode.

Motorcycles, at 120 MPH captured in video and stills both panning, and burst mode. From the timing stand, taking video the auto wind cut filter removed all the ambient wind noise, leaving the throaty rasp of the Suzuki's and Ducati's. Manual panning was good, and I think will improve as I get more comfortable with the camera. I find the dedicated video button a welcome addition. Only once did I hit the focus button as opposed to the video button, again muscle memory will take care of this.

Indoor, what can I say, no red eye when using the program mode, or any other. iA is also nice and in certain situations handy when people are moving about between different light sources. Flash is very effective, much more range than my old FZ8

Outdoor scenery looks like it will be fun. With the creative mode you can easily flip to different effects.

Long tele shots are superb, the only drawback here is the the slow auto focus at these insane distances. Manual will come in handy here.

I find using the menus OK, I have used them for years and they seem natural to me. AE/AF/Lock is the only button I have not come close to mastering yet.

I considered the FZ-200 but with the difference in price it was hard to justify for my amateur needs. I have not missed RAW for my portrait pictures, the JPEG images from the FZ60 are excellent. I usually only adjusted lighting/contrast and sharpness anyway, and the FZ60 is doing a fine job with white balance set to auto.

I am very please with this camera and have recommend it to several friends.

Click Here For Most Helpful Customer Reviews >>

GOPRO HD 1080P HERO MOTORSPORTS DIGITAL VIDEO CAMERA

GOPRO HD 1080P HERO MOTORSPORTS DIGITAL VIDEO CAMERA
Customer Ratings: 5 stars
Buy Now
This complete kit comes with many different ways to stick it to a car, bike, helmet ect..so no worries there. It is easy to set up and change between options. I have only used mine a few times so far but I am very happy with the picture, the stability, the audio, the size and how easy it was to put on my helmet. The HD (1080 setting) is wide screen only. The only thing that can be a hic-up is that it only records in the MP4 format which limits the video editing programs that can support it. I went out and purchased a video transfer program. It converts one format to another. There are some very good software programs out there that are under $50. Many give you a trial period too. I plan onusing this unit for many years ahead and take care of it between each use. I give it an A+ so far and I found my best deal here on Amazon.com.

Click Here For Most Helpful Customer Reviews >>

Samsung NX2000 Smart Wi-Fi Digital Camera Body & 20-50mm Lens

Samsung NX2000 Smart Wi-Fi Digital Camera Body & 20-50mm Lens Kit. Includes 0.45X Wide Angle Lens, 2X Telephoto Lens, 3 Piece Filter Kit, 16GB Micro SD Memory Card, Card Reader, Extedned Life Replacement Battery, Tripod, Case & More
Customer Ratings: 5 stars
Buy Now
I was very reluctant at first to order this as I had never heard of the seller and read some sketchy reviews. Item shipped almost immediately and I received the tracking info. Granted I had to wait for UPS to sign for the package, but I understand the reasons. Was somewhat leery as the camera was priced more than $200 less than it was at BestBuy or other like retailers, AND came with ALOT of stuff. Was very worried that it would be an out of box refurbished item. Package came as expected as per tracking info. All items are brand new in their original packing. And again, it came with A LOT of stuff!!! Got too tired to unwrap everything and put it away. If you want to buy this camera, BUY IT HERE! Plus with Amex points which I could use through Amazon, ended up paying only $100, when I almost paid $650 at a retailer just for the camera. Looks like it finally pays to be a shopaholic.

Click Here For Most Helpful Customer Reviews >>